Article | Title | Publication | Date | Category | Tags | Author sort |
---|---|---|---|---|---|---|
Applied Theory: Making Modes Sound More Modal, Part II William L. Fowler 1 pages |
Keyboard | Aug 1990 | Composing | Composing | Fowler, William L. | |
Signal Processing Today, Part 2: The Magic Of Real Time MIDI Control Thomas Dimuzio 9 pages |
Electronic Musician | Aug 1990 | Recording | Studio Recording | Dimuzio, Thomas | |
Applied Theory: Making Modes Sound More Modal, Part III William L. Fowler 1 pages |
Keyboard | Sep 1990 | Composing | Composing | Fowler, William L. | |
Signal Processing Today, Part 3: The Dimensions Of Delay Gary Hall 8 pages |
Electronic Musician | Sep 1990 | Recording | Studio Recording | Hall, Gary | |
Jazz Licks: Get A Fast Start On Some New Sounds Andy Laverne 6 pages |
Keyboard | Sep 1990 | Technique | Keyboard Technique | Laverne, Andy | |
Technique: Thumb-Turn Terror, Part II Jeff Pressing 1 pages |
Keyboard | Sep 1990 | Technique | Keyboard Technique | Pressing, Jeff | |
Recording 101: Speakers Aaron Hallas 4 pages |
Home and Studio Recording | Sep 1990 | Recording | Studio Recording | Hallas, Aaron | |
Songwriting: Regaining Control Jack Perricone 4 pages |
Home and Studio Recording | Sep 1990 | Composing | Composing | Perricone, Jack | |
Blues Primer Keith Wyatt 8 pages |
Guitar World | Sep 1990 | Technique | Guitar Technique | Wyatt, Keith | |
On The Beat: Melodramatics Nigel Lord 4 pages |
Home and Studio Recording | Oct 1990 | Composing | Drum Composing | Lord, Nigel | |
Sonic Tonics: Remedies For All Your Studio's Ills Lawrence Ullman 4 pages |
Home and Studio Recording | Oct 1990 | Recording | Studio Recording | Ullman, Lawrence | |
Home Studio Secrets: How To Find Inspiration In Isolation Jim Aiken 8 pages |
Keyboard | Oct 1990 | Composing | Composing | Aiken, Jim | |
Improvisational Piano: The Third Man Robert L. Doerschuk 1 pages |
Keyboard | Oct 1990 | Technique | Keyboard Technique | Doerschuk, Robert L. | |
I Would Love To Steve Vai 13 pages |
Guitar | Nov 1990 | Songs | Tabulature | Vai, Steve | |
On The Beat: Shuffling Nigel Lord 5 pages |
Home and Studio Recording | Nov 1990 | Composing | Drum Composing | Lord, Nigel | |
What Is And What Should Never Be Led Zeppelin 12 pages |
Guitar | Nov 1990 | Songs | Tabulature | Led Zeppelin | |
The Pros And Cons Of Equalization Paul White 3 pages |
Home and Studio Recording | Nov 1990 | Recording | Studio Recording | White, Paul | |
Recording 101: Equalization Aaron Hallas 4 pages |
Home and Studio Recording | Nov 1990 | Recording | Studio Recording | Hallas, Aaron | |
On The Beat: Funkadelics Nigel Lord 6 pages |
Home and Studio Recording | Dec 1990 | Composing | Drum Composing | Lord, Nigel | |
Pride And Joy Stevie Ray Vaughan 8 pages |
Guitar World | Dec 1990 | Songs | Tabulature | Vaughan, Stevie Ray | |
Playing With Fire: A Tribute To Stevie Ray Vaughn Jesse Gress 7 pages |
Guitar World | Dec 1990 | Technique | Guitar Technique | Gress, Jesse | |
The Pros And Cons Of Compression Paul White 3 pages |
Home and Studio Recording | Dec 1990 | Recording | Studio Recording | White, Paul | |
Recording 101: Dynamic Range Control Aaron Hallas 3 pages |
Home and Studio Recording | Dec 1990 | Recording | Studio Recording | Hallas, Aaron | |
Applied Theory: The Transposition Template William L. Fowler 1 pages |
Keyboard | Jan 1991 | Composing | Composing | Fowler, William L. | |
Ramble On Led Zeppelin 11 pages |
Guitar World | Jan 1991 | Songs | Tabulature | Led Zeppelin |