John Beck

Role: 

Rollerball

In the year 2018, violence and crime have been totally eliminated from society and given outlet in the brutal blood sport of rollerball, a high-velocity blend of football, hockey, and motor-cross racing sponsored by the multinational corporations that now control the world following the collapse of traditional politics. James Caan plays Jonathan E., the reigning superstar of rollerball, whose corporate controllers fear that Jonathan's popularity has endowed him with too much power.

The Other Side Of Midnight

Based on the novel by Sidney Sheldon, this riveting story of love and revenge boasts dazzling portrayals by Marie-France Pisier, John Beck and Susan Sarandan in one of her career-making roles. Although American WWII pilot Larry Douglas (Beck) promises to marry French femme fatale Noelle Page (Pisier), he instead returns Stateside and marries well-to-do Catherine Alexander (Sarandon). And once Noelle takes a Greek multi-millionaire (Raf Vallone) as a lover, she plots to shame Larry by arranging for him to be the tycoon's private pilot.

Sleeper

If Interiors was Woody Allen's Bergman movie, and Stardust Memories was his Fellini movie, then you could say that Sleeper is his Buster Keaton movie. Relying more on visual/conceptual/slapstick gags than his trademark verbal wit, Sleeper is probably the funniest of what would become known as Allen's "early, funny films" and a milestone in his development as a director. Allen plays Miles Monroe, cryogenically frozen in 1973 (he went into the hospital for an ulcer operation) and unthawed 200†years later.

The Big Bus

For anyone who's wallowed in the inanities of 1970s disaster movies, The Big Bus is not only witty but downright endearing. Instead of an endangered airliner or a capsized cruise ship, this dippily deadpan parody features a block-long, atomic-powered, luxury super-Greyhound setting off on its first transcontinental run with a garish cross section of humankind programmed for redemption, retribution, or just sublime ridiculousness as they roll toward Doom--or Denver, whichever comes first. Writers Fred Freeman and Lawrence J.

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