In the year 2018, violence and crime have been totally eliminated from society and given outlet in the brutal blood sport of rollerball, a high-velocity blend of football, hockey, and motor-cross racing sponsored by the multinational corporations that now control the world following the collapse of traditional politics. James Caan plays Jonathan E., the reigning superstar of rollerball, whose corporate controllers fear that Jonathan's popularity has endowed him with too much power.
Legendary police detective Dick Tracy is the only man tough enough to take on gangster boss Big Boy Caprice and his band of menacing mobsters. Dedicated to his work but at the same time devoted to his loyal girlfriend, Tess Trueheart, Tracy find himself torn between love and duty. His relentless crusade against crime becomes even more difficult when he gets saddled with an engaging orphan and meets seductive and sultry Breathless Mahoney, a torch singer determined to get the best of Tracy.
This quietly daffy comedy should have been an indie hit, but ended up ignored by audiences. Too bad; it's a wonderfully sustained caper movie about friends whose career choice is all wrong. Low-key Anthony (Luke Wilson) and high-strung Dignan (Owen C. Wilson--the two actors are brothers) are brought into a life of crime by Dignan's ambition to be a small-time thief. After a few amusingly laid-back trial burglaries, they (and a third buddy) find themselves over their heads when they hook up with an experienced crime boss (James Caan).
If you're going to submit yourself to a dazzling example of mainstream action, this thriller is as good a choice as any. Eraser is a live-action cartoon, the kind of movie in which Arnold Schwarzenegger can survive nail bombs, hails of bullets, an attack by voracious alligators ("You're luggage," he says, after killing one of the beasts), and still emerge from the mayhem relatively intact. Arnold plays an "eraser" from the Federal Witness Protection Program, so named because he can virtually erase the existence of anyone he's been assigned to protect.
James Caan is at his very best as a tough, wisecracking professional thief trapped between Chicago organized crime families and corrupt police in this "gripping drum-tight tale" (Los Angeles Magazine). Michael Mann, who directed Last of the Mohicans and Manhunter and produced "Miami Vice" and "Crime Story," wrote and directed this taut, visually dazzling "heist"-drama called "the best of that breed since The Asphalt Jungle" by New West Magazine.
Some of the greatest masterpieces in cinema history, "The Godfather Collection" is the saga of the generations of successive power within the Corleone crime family, told in three films of staggering magnitude and vision, masterfully exploring themes of power, tradition, revenge and love. The Godfather (1972, 175 min.) - Adapted from Mario Puzo's best-selling novel, Francis Ford Coppola's epic masterpiece features Marlon Brando in his Oscar-winning role as the patriarch of the Corleones.
The Gambler is one of the edgier and more interesting, if forgotten, films of the mid-1970s, the kind of studio film that rarely gets made anymore. Based on a screenplay by James Toback (Two Girls and a Guy) and directed by Karel Reisz, the film stars James Caan as a brilliant college literature professor with the same weakness as one of Dostoevsky's characters: He can't resist a wager. Indeed, he's in so deep that even his seemingly good-hearted bookie (Paul Sorvino) is trying to kill him.
Elf is genuinely good. Not just Saturday Night Live-movie good, when the movie has some funny bits but is basically an insult to humanity; Elf is a smartly written, skillfully directed, and deftly acted story of a human being adopted by Christmas elves who returns to the human world to find his father. And because the writing, directing, and acting are all genuinely good, Elf is also genuinely funny. Will Ferrell, as Buddy the adopted elf, is hysterically sincere. James Caan, as his rediscovered father, executes his surly dumbfoundedness with perfect aplomb.
This highly acclaimed winner of five Emmy Awards is one of the best-loved movies ever made for television. It's the true story of the special relationship between two professional football players, Gale Sayers (Billy Dee Williams) and Brian Piccolo (James Caan). Both star players for the Chicago Bears, Sayers and Piccolo soon become roommates and best friends. When Sayers suffers a knee injury in mid-season, it's Piccolo who prods and inspires him to work toward a complete recovery. Then fate deals a cruel blow: Piccolo is stricken with malignant cancer.
