The visionary chroniclers of eccentric Americana Joel and Ethan Coen present one of their greatest creations in Llewyn Davis, a singer barely eking out a living on the peripheries of the flourishing Greenwich Village folk scene of the early sixties. As embodied by Oscar Isaac in a revelatory performance, Llewyn (loosely modeled on the Village folk legend Dave Van Ronk) is extraordinarily talented but also irascible, rude, and self-defeating.
Four-time Oscar-winning filmmakers Joel and Ethan Coen (No Country for Old Men,Fargo) write and direct Hail, Caesar!, an all-star comedy set during the latter years of Hollywood's Golden Age. Starring Josh Brolin, George Clooney, Alden Ehrenreich, Ralph Fiennes, Jonah Hill, Scarlett Johansson, Frances McDormand, Tilda Swinton, and Channing Tatum, Hail, Caesar! follows a single day in the life of a studio fixer who is presented with plenty of problems to fix.
After the dark brilliance of No Country for Old Men, Burn After Reading may seem like a trifle, but few filmmakers elevate the trivial to art quite like Joel and Ethan Coen. Inspired by Stansfield Turner's Burn Before Reading, the comically convoluted plot clicks into gear when the CIA gives analyst Osborne Cox (John Malkovich) the boot. Little does Cox know his wife, Katie (Tilda Swinton, riffing on her Michael Clayton character), is seeing married federal marshal Harry (George Clooney, Swinton's Clayton co-star, playing off his Syriana role).
After the tight plotting and quirky intensity of Fargo, this casually amusing follow-up from the prolifically inventive Coen (Ethan and Joel) brothers seems like a bit of a lark, and the result was a box-office disappointment. The good news is, The Big Lebowski is every bit a Coen movie, and its lazy plot is part of its laidback charm. After all, how many movies can claim as their hero a pot-bellied, pot-smoking loser named Jeff "The Dude" Lebowski (Jeff Bridges) who spends most of his time bowling and getting stoned?
If you've never enjoyed Alec Guinness in the classic 1955 British comedy that inspired it, the Coen brothers' remake of The Ladykillers may well prove hilarious. For starters, it's got Tom Hanks in a variation of the Guinness role, eccentrically channeling Colonel Sanders, Tennessee Williams, and Edgar Allan Poe in his southern-fried performance as Prof. Goldthwait Higgins Dorr, Ph.D.
Blood Simple made it clear that the cinematically precocious Coen brothers (writer-director Joel and writer-producer Ethan) were gifted filmmakers to watch out for. But it was the outrageously farcical Raising Arizona that announced the Coens' darkly comedic audacity to the world. It wasn't widely seen when released in 1987, but its modest audience was vocally supportive, and this hyperactive comedy has since developed a large and loyal following. It's the story of "Ed" (for Edwina, played by Holly Hunter), a policewoman who falls in love with "Hi" (for H.I.
Ulysses Everett McGill (George Clooney) escapes the chain gang with two fellow convicts, the simple and somewhat slow Delmar (Tim Blake Nelson) and ill-tempered Pete (John Turturro), to pursue the promise of hidden loot stashed in his house that is about to be swept away in a flood. On the way, the trio experience a journey filled with hilarious adventure and a cast of strange characters starting with a blind prophet who warns them that the treasure you seek shall not be the treasure you find."
A sleek George Clooney and a seductive Catherine Zeta-Jones square off magnificently in the divorce comedy Intolerable Cruelty. The plot is simple: Lawyer supreme Miles Massey (Clooney, Out of Sight, Ocean's Eleven) skillfully outmaneuvers gold-digger Marylin Rexroth (Zeta-Jones, Chicago, Traffic) when she divorces her wealthy husband--and she sets out to get revenge.
