The star of Caddyshack, Ghostbusters and Groundhog Day headlines and co-directs this uproarious Big Apple heist-and-pursuit caper. Bill Murray plays Grimm, a frazzled urbanite who disguises himself as a clown - and sets out to rob a bank. Geena Davis and Randy Quaid play accomplices in Grimm's daring scheme and Jason Robards is the blustery cop caught up in Grimm's "Clown Day Afternoon." Swiping a million bucks is a snap compared to getting out of town.
Just when you thought it was safe to go back to the casino, along comes the Griswold family from the popular series of National Lampoon's Vacation movies, raising a ruckus in the now family-friendly gambling capitol of the world. Clark (Chevy Chase), the bumbling Griswold patriarch, gets into his usual quota of trouble--especially on a sightseeing trip to the Hoover Dam (where puns on the word "dam" come fast, furious, and idiotic). Meanwhile, Mrs.
Highly entertaining albeit thin journalism thriller, this examination of a 24-hour period in the life of a New York Post-ish tabloid focuses on a hard-working metro editor (a pitch-perfect Michael Keaton) thinking of going to a loftier job at a rival paper. Edgy, "NYC as the center of the universe" full of sweat and grit, the paper debates the hot story of the day: a racial shooting. Like most movies from Ron Howard's universe (Parenthood, Backdraft), it's always just a movie, full of dramatic, over-the-top setups instead of the genuine article.
This holiday season Clark Griswold vows his clan will enjoy "the most fun-filled family Christmas ever." Before you can sing "fa-la-la-la-lah," he decks the halls with howls of folly in the perennial favorite National Lampoon's Christmas Vacation. Seeing is believing. There are 25,000 lights on the roof. An exploding turkey on the dining room table. And a SWAT team taking siege outside. Yule love it!
The Griswolds have planned all year for a great summer vacation. From their suburban Chicago home, across America, to the wonders of the Walley World fun park in California, every step of the way has been carefully plotted. So what if they lose all their money when their new car gets wrecked. And it's not too bad when Cousin Eddie deposits sour Aunt Edna in their back seat for a lift to Phoenix. But what really keeps Clark's eyes on the road is a flirtation with a mysterious blonde in a red Ferrari.
This terrific Walter Hill Western follows the careers of the James and Younger brothers--and uses the nifty idea of casting actual clans of acting siblings in the roles. Thus, the James brothers are played by James and Stacy Keach; the Youngers by David, Keith, and Robert Carradine; the Millers by Randy and Dennis Quaid; and the Fords by Christopher and Nicholas Guest. Hill, working with an evocative Ry Cooder score, creates a film that is at once breathtakingly exciting and elegiac in its treatment of these post-Civil War outlaws.
They're back -- and better than ever! The diehard Cleveland Indians who went from worst to first now cope with fame and its perks as the team tries to hit, hustle and joke its way back to the top. Reckless thrower Rick "Wild Thing" Vaughn (Charlie Sheen), catcher Jake Taylor (Tom Berenger), self-adoring infielder Roger Dorn (Corbin Bernsen), slugger Pedro Cerrano (Dennis Haysbert) and more are in for a whole new ballgame in this hilarious sequel.
Like Easy Rider, Bonnie and Clyde, The Wild Bunch, and The Graduate, The Last Picture Show is one of the signature films of the "New Hollywood" that emerged in the late 1960s and early '70s. Based on the novel by Larry McMurtry and lovingly directed by Peter Bogdanovich (who cowrote the script with McMurtry), this 1971 drama has been interpreted as an affectionate tribute to classic Hollywood filmmaking and the great directors (such as John Ford) that Bogdanovich so deeply admired.
