Buffalo Bill: Season One And Two

The name is Bill Bittinger. Bittinger, not "Bittinjer"--even the syllables of the name are slippery. He's a venal, self-serving, double-talking, pusillanimous, hypocritical, male-chauvinist, bigoted, quintessentially sleazy varmint, and a TV talk-show host besides. He could inherit the title "The Man You Love to Hate," except that that would connote too much stature. Make it "The Man You Love to Be Appalled By." Buffalo Bill was, if not the best sitcom ever, indisputably the most brilliant, outrageous, exquisitely detailed and nuanced. Naturally, the network kept it on the shelf for a year, till a summer slot needed filling. An instantaneous critical hit, the show also grabbed five Emmy nominations. The following winter it was brought back and, for a few months, enjoyed a Thursday-night berth between Cheers and Hill Street Blues--part of the best two hours on weekly commercial television. All praise to series creator Jay Tarses, who specialized in comedy so offbeat, the beat could be hard to locate. (His next effort was the dramedy The Days and Nights of Molly Dodd.) But if we were to name only one name in celebration of Buffalo Bill, it would be Dabney Coleman. A breathtakingly deft character actor, Coleman had already test-flown the Beta version of Bill Bittinger as Merle Jeeter, the con artist nonpareil of Mary Hartman, Mary Hartman. Bill was a socially condoned con artist: a daily TV talk-show host in Buffalo, N.Y. He had world-class company: Joanna Cassidy as JoJo, Bill's director and sometime lover; Max Wright as the encyclopedically neurotic station manager, Karl Shub; John Fiedler as the diminutive floor manager eerily content to be Bill's yes-man even though he owned half the real estate on Lake Erie; Coleman's fellow Tootsie alum Geena Davis, who not only played Bill's daft, starstruck personal assistant but also wrote for the series; Meshach Taylor as JoJo's affable assistant director; and Charlie Robinson as Newdell, the rare character in network television who projected a scarily becalmed version of Black Rage.