Sigourney Weaver returns in the stunning special edition release of Aliens. In this action-packed sequel to Alien, Sigourney Weaver returns as Ripley, the only survivor from mankind's first encounter with the monstrous Alien. Her account of the Alien and the fate of her crew are received with skepticism - until the mysterious disappearance of colonists on LV-426 lead her to join a team of high-tech colonial marines sent in to investigate.
200 years after the conclusion of Alien 3, the company is able to resurrect Ripley (Sigourney Weaver) through the process of cloning and the scientists successfully take the Queen Alien out of her. But, Ripley's DNA gets mixed up with the Queen's and she begins to develop certain alien characteristics. The scientists begin breeding the aliens, but they later escape. Soon the Xeno-morphs are running amok on the ship, which is on course to earth. The Queen then gives birth to a deadly new breed of alien, which could spell disaster for the entire human race.
After escaping with Newt and Bishop from the alien planet, Ripley crash lands on Fiorina 161, a prison planet and host to a correctional facility. Unfortunately, although Newt and Bishop do not survive the crash, a more unwelcome visitor does. The prison does not allow weapons of any kind, and with aid being a long time away, the prisoners must simply survive in any way they can. When help does arrive, the true intentions of the Company become clear.
When commercial towing vehicle Nostromo, heading back to Earth, intercepts an SOS signal from a nearby planet, the crew are under obligation to investigate. After a bad landing on the planet, some crew members leave the ship to explore the area. At the same time as they discover a hive colony of some unknown creature, the ship's computer deciphers the message to be a warning, not a call for help. When one of the eggs is disturbed, the crew do not know the danger they are in until it is too late.
The quintessential movie spoof that spawned an entire genre of parody films, the original Airplane! still holds up as one of the brightest comedic gems of the '80s, not to mention of cinema itself (it ranked in the top 5 of Entertainment Weekly's list of the 100 funniest movies ever made). The humor may be low and obvious at times, but the jokes keep coming at a rapid-fire clip and its targets--primarily the lesser lights of '70s cinema, from disco films to star-studded disaster epics--are more than worthy for send-up.
You know that old dramatic principle of suspension of disbelief? You'll have to rely on it for this box-office smash, but you won't be disappointed. Harrison Ford plays a U.S. president who single-handedly employs his rigid antiterrorism policy when a band of Russian thugs hatch a mid-flight takeover of Air Force One. Gary Oldman, who chews the scenery as the lead terrorist, will shoot a hostage at the slightest provocation. Glenn Close plays the sternly pragmatic vice president who negotiates with Oldman from her Washington seat of power.
Terry Brogan (Jeff Bridges), a cynical ex-football star, is hired to find Jessie Wyler (Rachel Ward), the runaway mistress of a ruthless L.A. nightclub owner, Jake Wise (James Woods). According to Jake, Jesse has stabbed him and vanished with $50,000. But Terry's mission is soon forgotten when he tracks down and falls in love with the beautiful Jessie on a Mexican island. Trouble brews, however, when Jake dispatches his henchman, Hank Sully (Alex Karras), to bring the lovers back.
Dashing Errol Flynn is the definitive Robin Hood in the most gloriously swashbuckling version of the legendary story. Warner Brothers reunited Michael Curtiz, their top-action director, with the winning team of Flynn and Olivia de Havilland (Maid Marian) and perennial villain Basil Rathbone as the aristocratic Sir Guy of Gisbourne, and pulled out all stops for the production. It became their costliest film to date, a grandly handsome, glowing Technicolor adventure set to a stirring, Oscar-winning score by Erich Wolfgang Korngold.
Set in New York City in 1961, 61* is a film directed by Billy Crystal for baseball lovers. Zooming in on Yankee players Roger Maris and Mickey Mantle, the film follows these two opposites as they attempt to break Babe Ruth's 1927 home run record. In heated competition, the two players each try to score over 60 home runs and set the new world record. While the fans align themselves with one player to be the winner, the players choose the other, igniting the playing field with tension, excitement, and anticipation.
When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001: A Space Odyssey is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution.
