Winner of the Sundance Film Festival's Audience Award, writer-director Paul Greengrass' "magnetic and impassioned"* drama is a "staggering re-creation"** of the events of Sunday, January 30th, 1972 when British troops clashed with unarmed protestors in Derry, Northern Ireland. With breathtaking verisimilitude, Bloody Sunday posits an immediate, you-are-there re-creation of Ireland's most controversial contemporary tragedy.
Despite symptoms of sequelitis, Austin Powers in Goldmember is must-see lunacy for devoted fans of the shagadelic franchise. For every big-name cameo and raunchy double-entendre, there's an equal share of juvenile scatology and pop-cultural spoofery. All is forgiven when the hilarity level is consistently high, and Mike Myers--returning here as randy Brit spy Austin, his nemesis Dr. Evil, the bloated Scottish henchman Fat Bastard, and new Dutch disco-villain Goldmember--thrives by favoring comedic chaos over coherent plotting.
American Pie takes a hysterical look at the goal of four "unlucky in love" high school friends who make the ultimate pact: lose their virginity by prom night. As they try to manipulate their way into the...hearts of some of their classmates, their plans often backfire with hilarity. Follow the raging hormones of four teenage boys and their girls as they gear up for the most important night of their lives...the prom?
To the horror of prudes everywhere, American Pie 2 is even funnier than its popular predecessor, pushing the R rating with such unabashed ribaldry that you'll either be appalled or surprised by its defiant celebration of the young-adult male libido. Females will be equally shocked or delighted, because like American Pie this appealing, character-based comedy puts the women in control while offering a front-row view of horny guys in all their dubious glory.
If you thought The Recruit was full of surprises, Basic will spin your head around. Assuming that cleverness is its own reward, this military mystery shares many of The Recruit's strengths and weaknesses, offering multi-layered deception as its dramatic raison d'etre. Copping plenty of machismo attitude befitting a semi-effective thriller from Die Hard director John McTiernan, John Travolta stars as an ex-Army Ranger-turned-DEA agent, recruited by an Army investigator (Connie Nielsen) to solve the fratricide of a reviled Sergeant (Samuel L.
Audiences and critics alike are raving about this larger-than-life rock 'n' roll favorite that Roger Ebert calls "one of the best movies of the year!" The guys of Stillwater have the sound, they have the look, and Rolling Stone magazine wants their story. For young reporter William Miller, it's the opportunity of a lifetime as he hits the road with his favorite band and discovers the price of fame, the value of family and the limits of friendship.
Jack Nicholson, Helen Hunt, Greg Kinnear and Cuba Gooding Jr. star in James L. Brooks' 1998 Best Picture nominated hit comedy, "As Good As It Gets." Nicholson gives a show-stopping performance as Melvin Udall, an obsessive-compulsive novelist with Manhattan's meanest mouth. But when his neighbor Simon is hospitalized, Melvin is forced to baby-sit Simon's dog. And that unexpected act of kindness along with waitress Carol Connelly - helps put Melvin back in the human race. Magically written, directed and acted, As Good As It Gets is the best and funniest romantic comedy of the year.
Brendan Fraser stars in Bedazzled as Elliot, a dweebish office worker who yearns for Alison (played by Frances O'Connor from Mansfield Park), a coworker who barely knows he exists. When he blithely says he'd give his soul for Alison, the Devil appears (Elizabeth Hurley, Austin Powers) and says she'll give him seven wishes in exchange. Elliot is dubious at first, but agrees out of desperation. Unfortunately, his every wish always leaves the Devil a little wiggle room. When he asks to be rich and powerful, the Devil turns him into a drug lord beset on all sides.
A Beautiful Mind manages to twist enough pathos out of John Nash's incredible life story to redeem an at-times goofy portrayal of schizophrenia. Russell Crowe tackles the role with characteristic fervor, playing the Nobel prize-winning mathematician from his days at Princeton, where he developed a groundbreaking economic theory, to his meteoric rise to the cover of Forbes magazine and an MIT professorship, and on through to his eventual dismissal due to schizophrenic delusions. Of course, it is the delusions that fascinate director Ron Howard and, predictably, go astray.
The first Batman sequel takes a wicked turn with the villainous exploits of the freakish and mean-spirited Penguin (Danny DeVito), whose criminal collaboration with evil tycoon Max Shreck (Christopher Walken) threatens to drain Gotham City of its energy supply. As if that weren't enough, Batman (Michael Keaton) has his hands full with the vengeful Catwoman (Michelle Pfeiffer), who turns out to be a lot more dangerous than a kitten with a whip.
