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Will Smith stars in the third adaptation of Richard Mathesonís classic science-fiction novel about a lone human survivor in a post-apocalyptic world dominated by vampires. This new version somewhat alters Mathesonís central hook, i.e., the startling idea that an ordinary man, Robert Neville, spends his days roaming a desolated city and his nights in a house sealed off from longtime neighbors who have become bloodsucking fiends. In the new film, Smithís Neville is a military scientist charged with finding a cure for a virus that turns people into crazed, hairless, flesh-eating zombies.

It's rare that a movie captures the intensity and excitement of a live Broadway musical production while appealing to a broader movie-going audience, but the 2007 Hairspray is an energetic, powerfully moving film that does just that. A remake of the 1988 musical film Hairspray, the new Hairspray is a film adaptation of the 2002 Broadway musical and features more likeable characters than the original film and an incredible energy that stems from a great cast, fabulous new music, and the influence of musical producer Craig Zadan.

Neil Jordan's somber The Brave One is a lot of things. A reflective movie about a crime victim's sense of dislocation and isolation from her own life following a harrowing trauma, the film will strike a chord with a lot of people who have known violence. The Brave One is also a provocative drama about the nature of justice, a theme explored endlessly in American movies that typically find law enforcement wanting. In Jordan's film, however, the conflict between instinctive vigilantism and legal protocols is approached with more deliberateness and complexity than usual.

The often breathtaking, final installment in the Bourne trilogy finds the titular assassin with no memory closing in on his past, finally answering his own questions about his real identity and how he came to be a seemingly unstoppable killing machine. Matt Damon returns for another intensely physical performance as Jason Bourne, the rogue operative at war with the CIA, which made him who and what he is and managed to kill his girlfriend in the series' second film, The Bourne Supremacy.

Spectacular animated action scenes turn the ancient epic poem Beowulf into a modern fantasy movie, while motion-capture technology transforms plump actor Ray Winstone (Sexy Beast) into a burly Nordic warrior. When a Danish kingdom is threatened by the monster Grendel (voiced and physicalized by Crispin Glover, River's Edge), Beowulf--lured by the promise of heroic glory--comes to rescue them. He succeeds, but falls prey to the seductive power of Grendel's mother, played by Angelina Jolie...

Set in America during the Vietnam War, Across the Universe is a powerful love story set against a backdrop of political and social unrest: it's a story of soul-searching, self-doubt, and individual powerlessness cleverly conveyed through a multitude of Beatles songs. Like young adults all across America during the 1960's, Jude (Jim Sturgess), Lucy (Evan Rachel Wood), Max (Joe Anderson), Sadie (Dana Fuchs), Prudence (T.V.

Before Wayne Gretzky and Mario Lemieux, before Gordie Howe and Bobby Hull, there was Maurice "Rocket" Richard, the first player to score 50 goals in 50 games and the man generally regarded as the Babe Ruth of the National Hockey League (he was a member of the Montreal Canadiens, the hockey equivalent of the New York Yankees).

Directed by a prince and financed by a queen, The Legend of Suriyothai is a sprawling Thai epic in the tradition of Hollywood's biblical extravaganzas of the 1950s.

Unwanted pregnancy might sound like a risky subject for slapstick comedy, but Knocked Up is from writer-director Judd Apatow--so we are in the hands of a man who likes to push things. And like Apatow's predecessor, The 40-Year-Old Virgin, Knocked Up is a shaggy crowd-pleaser, a comedy strewn with vulgarity but with a sweet heart at its center. A one-night stand between the utterly mismatched Ben (Seth Rogen, his first starring role) and Alison (Katherine Heigl) results in said pregnancy, and the two people reunite for mutual support--even though they barely know each other.

This clever, funny big-screen adaptation of Lauren Weisberger's best-seller takes some of the snarky bite out of the chick lit book, but smoothes out the characters' boxy edges to make a more satisfying movie. There's no doubt The Devil Wears Prada belongs to Meryl Streep, who turns in an Oscar-worthy (seriously!) strut as the monster editor-in-chief of Runway, an elite fashion magazine full of size-0, impossibly well-dressed plebes. This makes new second-assistant Andrea (Anne Hathaway), who's smart but an unacceptable size 6, stick out like a sore thumb.