Is a mystery really mysterious when the end isn't a secret? Is espionage still thrilling when you know beforehand that the cloak has been pulled back and the dagger revealed? If it's a film as good as Breach, the answer is a resounding yes. Here is a true story that's genuinely stranger than fiction: FBI agent Robert Hanssen spent over 20 years selling government secrets to the Russians, making him the most egregious traitor in U.S. history.
Matt Damon, Angelina Jolie and Robert De Niro star in this powerful thriller about the birth of the CIA. Edward Wilson (Damon) believes in America, and will sacrifice everything he loves to protect it. But as one of the covert founders of the CIA, Edward's youthful idealism is slowly eroded by his growing suspicion of the people around him. Everybody has secretsÖbut will Edward's destroy him? With an all-star cast including Alec Baldwin, Billy Crudup, William Hurt, Timothy Hutton and John Turturro, it's the gripping story David Ansen of Newsweek hails as "spellbinding."
Adapted by screenwriter Sooni Taraporevala from the novel by Jhumpa Lahiri, director Mira Nair's The Nameksake is populated by well-drawn characters and filled with memorable shots and engaging scenes. But in the larger sense, the film is a provocative look at the two sides of immigration: the adjustments faced by a couple who move here from a distant land, and the struggles of their offspring to reconcile their parents' traditional culture with their own distinctly American outlook.
Filled with non-stop action, eye-popping martial arts stunts, and hot, ass-kicking women, DOA: Dead Or Alive follows a group of super-skilled fighters from across the globe invited to a remote Pacific island to compete for the $10 million title of World's Best Fighter. Led by pro-wrestler Jaime Pressly (My Name Is Earl) and ninja princess Devon Aoki (Sin City), the finalists must band together to defeat their sinister host. Featuring the high-octane direction of Cory Yuen (The Transporter), DOA: Dead Or Alive delivers a jaw-dropping, pulse-pounding, heart-stopping finish!
Music and Lyrics is frothy and sweet, like the top of a perfect cappuccino shared a deux. Hugh Grant is a self-professed "happy has-been," playing his befuddled, adorable persona more spot-on than he has since Four Weddings and a Funeral. As Alex, former member of an '80s pop band who years later is playing at water parks and high school reunions, he's settled into a life of lesser expectations. Drew Barrymore, quietly radiant, is Sophie, the underachieving girl Friday who arrives to water--make that overwater--Alex's plants--and to explode him out of that comfy rut.
X-Men: The Last Stand is the third installment in the popular superhero franchise, and it's an exciting one with a splash of fresh new characters. When a scientist named Warren Worthington II announces a "cure" for mutant powers, it raises an interesting philosophical question: is mutant power a disease that needs a cure, or is it a benefit that homo superior enjoys over "normal" human beings? No surprise that Magneto (Ian McKellen) and his Brotherhood of Evil Mutants resist the idea that they need to be cured, and declare war on the human race.
Stardust settles over the viewer like a twinkly cloak. The film, which captures the magic and vision of author Neil Gaiman's fantasy graphic fable, is a transportive journey into a world of true enchantment, which fans of the Harry Potter books will enjoy as well as will adults looking for the perfect date movie. The tale is a not-so-simple love story and adventure, set in 19th century England--and an alternate universe of witches, spells and stars that turn human--and hold the key to eternal life.
The sixth installment of the Rocky series picks up the story of the Italian Stallion 16 years after the morose Rocky V. And sure, at his advanced age, Sylvester Stallone now looks like one of those sides of beef his character used to pound on. No matter. Somehow you buy the premise after all these years, even if it takes forever for Rocky Balboa to stop wallowing in self-pity (Adrian is dead, his old haunts are demolished) and get down to the business of drinking raw eggs and running up staircases.
George Clooney is one, Brad Pitt is two, Matt Damon three... well, let's just assume there are 13 collaborators in this installment of Steven Soderbergh's profitable caper franchise. We're back in Las Vegas for Ocean's Thirteen, where the boys plot to shut down the brand-new venture of a backstabbing hotelier (Al Pacino) because the guy double-crossed the now-ailing Reuben (Elliott Gould). If you look at the plot too closely, the entire edifice collapses (hey, how about those Chunnel-digging giant drills?), but Soderbergh conjures up a visual style that swings like Bobby Darin at the Copa.
A new term at high school is even more of a trauma for Cady (Lindsay Lohan) than it is for everybody else, since she is not just an out-of-towner but an out-of-Africa, her parents having raised her as a bush baby. Now she is confronted with the complexity of school loyalties and fads, which-as we are reminded by innumerable slo-mo sequences with an added roartrack-are twice as bloodlusty as the lives of African fauna.
