Featurettes/Behind-The-Scenes/Documentaries

Xanadu is a look at the future and a loving remembrance of the way things were in the heyday of Hollywood. The musical score includes the hit songs "Magic," "I'm Alive," "All Over The World," "Suddenly," and the title song "Xanadu." Olivia Newton-John will dazzle your senses with her luminous beauty and fabulous voice. She and Gene Kelly star in this mesmerizing musical fantasy. The '40s meets the '80s in Xanadu, a very special love story and the first lavish, old-fashioned musical to utilize today's music.

X2 does a fine job of picking up where X-Men left off, giving fans more of what they liked the first time around. Under the serious-minded custody of returning director Bryan Singer, the second film of this Marvel comics franchise ups the ante on Professor Xavier (Patrick Stewart) and the superhero mutants from the first film, pitting them against a mutant-hating scientist (Brian Cox) who's determined to wipe out the mutant race by tricking Xavier into abusing his telepathic powers.

Born into a world filled with prejudice are children who possess extraordinary and dangerous powers - the result of unique genetic mutations. Cyclops unleashes bolts of energy from his eyes. Storm can manipulate the weather at will. Rogue absorbs the life force of anyone she touches. But under the tutelage of Professor Xavier (Patrick Stewart), these and other outcasts learn to harness their powers for the good of mankind.

The World Is Not Enough opens on an unusually powerful note. A stunning pre-title sequence reaches beyond mere pyrotechnics to introduce key plot elements as the action leaps from Bilbao to London. Bond 5.0, Pierce Brosnan, undercuts his usually suave persona with a darker, more brutal edge largely absent since Sean Connery departed.

This intense thriller is a work of fiction with a factual basis. Aidan Quinn stars as Annibal Ramirez, an American naval officer with a striking resemblance to real-life international terrorist Carlos "the Jackal" Sanchez, the scourge of innocent people all over the world in the 1970s and '80s. Mistaken for Sanchez by the Israeli Mossad, Ramirez is arrested but subsequently recruited by the Mossad and the CIA to pose as Sanchez and set him up as a traitor to his underwriters.

After the Sunset may not be the greatest jewel-heist caper comedy ever made, but it sure is easy on the eyes. Shifting back into his crowd-pleasing Rush Hour mode, director Brett Ratner kicks off the action with a rousing chase scene that pretty much describes the entire film: utter nonsense, but adequately enjoyable. Things get very sunny thereafter, when FBI agent Woody Harrelson lands in the Bahamas to track down ace diamond thief Pierce Brosnan and his lovely accomplice Salma Hayek, whom he suspects of planning their next big heist on a cruise ship.

Director Peter Bogdanovich (The Last Picture Show) tipped his hat to the classic screwball comedies of the 1930s, and especially the most glorious of them all, Howard Hawks' Bringing Up Baby. Barbra Streisand plays a charming flake who distracts a self-absorbed musicologist (Ryan O'Neal). He's engaged to be married, but soon Streisand's character has him chasing after stolen jewelry and getting into one madcap fix after another.

The winner of 10 Academy Awards, this 1961 musical by choreographer Jerome Robbins and director Robert Wise (The Sound of Music) remains irresistible. Based on a smash Broadway play updating Shakespeare's Romeo and Juliet to the 1950s era of juvenile delinquency, the film stars Natalie Wood and Richard Beymer as the star-crossed lovers from different neighborhoods--and ethnicities.

Blaxploitation movies deserve a good spoofing, and Undercover Brother tweaks the subgenre with a few good laughs. But what might have been an Afro-centric Austin Powers (adapted by John Ridley from his Internet film series) is instead a lackluster comedy with one basic joke: "Whitey"--personified as a faceless corporate despot known as "the Man"--has the power, but black folks have soul. With enough funk to make Shaft look passZ, Eddie Griffin plays "U.B." with an oversized 'fro and a firm grasp of comedic possibilities. He's recruited by the B.R.O.T.H.E.R.H.O.O.D.

If you ever need dramatic proof that adultery is inevitably destructive, look no further than Adrian Lyne's Unfaithful. Drawing inspiration from Claude Chabrol's 1969 film La Femme InfidËle, the director of Fatal Attraction is mining similar territory here, but this grownup thriller is more intimate than Lyne's dead-bunny potboiler, probing more deeply into the rush of conflicting emotions provoked by infidelity.