Featurettes/Behind-The-Scenes/Documentaries

After returning from World War II, a young G.I. named Paul Sutton (Keanu Reeves) finds he has little in common with the wife he left behind. Disillusioned, he heads north to work as a traveling salesman. There he meets the daughter (Anita Sanchez-Gijon), of a wealthy vineyard owner (Giancarlo Giannini). On her way home, she's terrified of what her domineering father will do when he learns she's unmarried and pregnant. The young man gallantly offers to help by posing as her husband for one night, unaware that doing so will change both their lives forever.

Not only was Barry Levinson's comedy shot in a relatively fast period of 29 days, the satire of politics and show business feels as if it were made yesterday. There's a fresh spin quite evident here, a nervy satire of a presidential crisis and the people who whitewash the facts. The main players are a mysterious Mr. Fix-It (Robert De Niro), veteran Hollywood producer (Dustin Hoffman), and a White House aide (Anne Heche). Can the president's molesting of a young girl be buried in the two weeks before an election? A war in Albania just might do the trick.

M. Night Shyamalan, the director who brought you the world's greatest thrillers (The Sixth Sense, Signs, Unbreakable) on DVD, now creates his most thought-provoking triumph yet... breaking international records and dazzling audiences around the globe! The Village is a smart, edge-of-your-seat chiller crawling with terrifying surprises and frightening twists and turns. An isolated, tight-knit community lives in mortal fear of an oppressive evil inhabiting the forbidden forest just beyond their tiny village. So frightening that no one ventures into the woods...

Roger Moore's last outing as James Bond is evidence enough that it was time to pass the torch to another actor. Beset by crummy action (an out-of-control fire engine?) and featuring a fading Moore still trying to prop up his mannered idea of style, the film is largely interesting for Christopher Walken's quirky performance as a sort-of supervillain who wants to take out California's Silicon Valley.

An ingeniously campy and enormously entertaining piece of fluff, View from the Top stars the impossibly lithe Gwyneth Paltrow as Donna, a white-trash girl with dreams of escaping her dead-end life by becoming an international flight attendant. Her destiny is complicated by a sweet guy (Mark Ruffalo) who just wants to live with his family in Cleveland and by a sister stewardess (Christina Applegate) who stabs Donna in the back.

David Aames (Tom Cruise) appears to lead a charmed life. Handsome, wealthy and charismatic, the young New York City publishing executive's freewheeling existence is enchanting, yet he seems to be missing something. Then, in one night David meets Sofia (Penelope Cruz), the girl of his dreams, but loses her by making a small mistake. Thrust unexpectedly onto a roller-coaster ride of romance, comedy, suspicion, love, sex and dreams, David finds himself on a mind-bending search for his soul and discovers the precious, ephemeral nature of true love.

Winner of two 1995 Academy Awards, including Best Original Screenplay, this masterful, atmospheric film noir enraptured audiences with its complex and riveting storyline, gritty, tour-de-force performances (including an Oscar-winning turn by Kevin Spacey) and a climax that is truly deserving of the word stunning. This "thoroughly engrossing film" (HBO) is so "gripping and diabolically clever" (The Wall Street Journal) that it becomes "a maze you'll be happy to get lost in" (Los Angeles Times)! Held in an L.A.

John Travolta traded in disco duds for a cowboy hat in this corny love story about a working man who breaks up with his girlfriend (Debra Winger), then plays out their relationship's turmoil inside a huge honky-tonk called Gilley's. The story essentially parallels Travolta's prior hit film, Saturday Night Fever, in its blend of ordinary life, incomplete relationships, and personal pride channeled into niche stardom at a neighborhood club.

The first in a trio of very broad comedies from director Sidney Poitier features Poitier and Bill Cosby as two small-time hustlers always looking for an angle. During a robbery at a swanky nightclub, they are relieved of their wallets, only to find later that one of them had a lottery ticket that came up a winner. The chase is on as they scour the city to find their prize, along the way running up against Harry Belafonte as a sly and suave mob kingpin (with a nod to Don Corleone) with his eye on the ticket as well.

As noted critic Pauline Kael wrote, the 1987 box-office hit The Untouchables is "like an attempt to visualize the public's collective dream of Chicago gangsters." In other words, this lavish reworking of the vintage TV series is a rousing potboiler from a bygone era, so beautifully designed and photographed--and so craftily directed by Brian De Palma--that the historical reality of Prohibition-era Chicago could only pale in comparison.