Featurettes/Behind-The-Scenes/Documentaries

Catch him if you can. The Fugitive is on the run! Harrison Ford and Tommy Lee Jones race through the breathless manhunt movie based on the classic TV series. Ford is prison escapee Dr. Richard Kimble, a Chicago surgeon falsely convicted of killing his wife and determined to prove his innocence by leading his pursuers to the one-armed man who actually committed the crime. Jones (1993 Academy Award and Golden Globe winner as Best Supporting Actor) is Sam Gerard, an unrelenting bloodhound of a U.S. Marshal. They are hunted and hunter.

Chevy Chase is at his hilarious best in this suspense-packed comedy thriller based on Gregory McDonald's best-seller. Irwin Fletch, a.k.a. Fletch (Chase), is an investigative reporter who's constantly changing his identity. While working on a drug expose, Fletch attracts the attention of a strange businessman (Tim Matheson) who wants to be killed so his wife will inherit more insurance. The wily Fletch senses a scam, and soon he's up to his byline in frame-ups, murder, police corruption and forbidden romance. It'll be the story of the year, if he can stay alive to meet his deadlines!

Van Orton is a successful businessman who is always in control. He lives a well-ordered life - until an unexpected birthday gift from his brother destroys it all. The Game does a tremendous job of presenting the story of a rigid control freak trapped in circumstances that are increasingly beyond his control. Michael Douglas plays a rich, divorced, and dreadful investment banker whose 48th birthday reminds him of his father's suicide at the same age.

Based on the perennial nonfiction bestseller by H.G. Bissinger, Friday Night Lights looks at high school football in the harsh light of reality, finding heart and hardness while stirring our emotions. Actor-director Peter Berg (Very Bad Things, The Rundown) is Bissinger's cousin; he knows the material well, and understands how an obsession with winning turns high school kids into somber, over-pressured gladiators--expendable soldiers in a community war against shame and obscurity.

The heart-stopping story of the first black regiment to fight for the North in the Civil War. Glory stars Matthew Broderick, Denzel Washington, Cary Elwes and Morgan Freeman. Broderick and Elwes are the idealistic young Bostonians who lead the regiment; Freeman is the inspirational sergeant who unites the troops; and Denzel Washington, in an Oscar-winning performance (1989, Supporting Actor), is the runaway slave who embodies the indomitable spirit of the 54th Regiment of Massachusetts.

The title of Gothika prepares you for a spooky, atmospheric thriller with an emphasis on supernatural mystery. The best way to appreciate the movie itself is to understand that it's a waking nightmare that needn't make sense in the realm of sanity. Making a flashy Hollywood debut after his superior 2000 thriller Crimson Rivers, French actor-director Mathieu Kassovitz pours on the dark and stormy atmosphere, trapping a competent psychologist (Halle Berry) in the prison ward where she treated inmates (including Penelope Cruz) until she was committed for killing her husband (Charles S.

Gosford Park finds director Robert Altman in sumptuously fine form indeed. From the opening shots, as the camera peers through the trees at an opulent English country estate, Altman exploits the 1930s period setting and whodunit formula of the film expertly.

You may be surprised to discover that the director of the Lethal Weapon movies and scary horror flick The Omen, Richard Donner, also produced and directed this classic children's adventure (which, by the way, was written by Donner's screen-wizard friend Steven Spielberg). Then again you may not. The Goonies, like Donner's other movies, is the same story of good versus evil. It has its share of bad guys (the Fratelli brothers and their villainous mother), reluctant-hero good guys (the Walsh bothers and their gang of friends), and lots of corny one-liners.

By far the most ambitious, unflinchingly graphic and stylistically influential western ever mounted, The Good, The Bad And The Ugly is an engrossing actioner shot through with a volatile mix of myth and realism. Clint Eastwood returns as the "Man With No Name," this time teaming with two gunslingers (Eli Wallach and Lee Van Cleef) to pursue a cache of $200,000, and letting no one, not even warring factions in a civil war, stand in their way.

Dry as ice, dripping with deadpan witticisms, only Sean Connery's Bond would dare disparage the Beatles, that other 1964 phenomenon. No one but Connery can believably seduce women so effortlessly, kill with almost as much ease, and then pull another bottle of Dom Perignon '53 out of the fridge.