Featurettes/Behind-The-Scenes/Documentaries

Milla Jovovich (Resident Evil, The Fifth Element), Cameron Bright (X-Men 3), Nick Chinlund (The Legend of Zorro) and William Fichtner (The Longest Yard) star in this theatrical set in the late 21st century, a subculture of humans have emerged who have been modified genetically by a vampire-like disease (Hemophagia), giving them enhanced speed, incredible stamina and acute intelligence, and as they are set apart from "normal" and "healthy" humans, the world is pushed to the brink of worldwide civil war (a war between humans and hemophages) aimed at the destruction of the "diseased" populatio

"Remember, remember the fifth of November," for on this day, in 2020, the minds of the masses shall be set free. So says code-name V (Hugo Weaving), a man on a mission to shake society out of its blank complacent stares in the film V for Vendetta. His tactics, however, are a bit revolutionary, to say the least.

The 1972 disaster hit The Poseidon Adventure was ripe for a big-budget CGI remake, and who better to helm it than thriller expert Wolfgang Petersen, director of Das Boot and The Perfect Storm? It hardly matters that a TV movie remake (also based on Paul Gallico's original 1969 source novel) was made less than a year before, because Petersen's version is far more spectacular, with shocking digital effects, massive sets, amazing stunt-work and enough fire and water to fill five movies with challenging worst-case scenarios.

The legend of Pocahontas and John Smith receives a luminous and essential retelling by maverick filmmaker Terrence Malick. The facts of Virginia's first white settlers, circa 1607, have been told for eons and fortified by Disney's animated films: explorer Smith (Colin Farrell) and the Native American princess (newcomer Q'orianka Kilcher) bond when the two cultures meet, a flashpoint of curiosity and war lapping interchangeably at the shores of the new continent.

At its core, Munich is a straightforward thriller. Based on the book Vengeance: The True Story of an Israeli Counter-Terrorist Team by George Jonas, itís built on a relatively stock movie premise, the revenge plot: innocent people are killed, the bad guys got away with it, and someone has to make them pay. But director Steven Spielberg uses that as a starting point to delve into complex ethical questions about the cyclic nature of revenge and the moral price of violence. The movie starts with a rush.

Released amidst rumors of romance between costars Angelina Jolie and soon-to-be-divorced Brad Pitt, Mr. and Mrs. Smith offers automatic weapons and high explosives as the cure for marital boredom. The premise of this exhausting action-comedy (no relation to the 1941 Alfred Hitchcock comedy starring Carole Lombard and Robert Montgomery) is that the unhappily married Smiths (Pitt and Jolie) will improve their relationship once they discover their mutually-hidden identities as world-class assassins, but things get complicated when their secret-agency bosses order them to rub each other out.

The passion of mad love and the cold calculations of social climbing collide in Woody Allen's Match Point. Former tennis pro Chris Wilton (Jonathan Rhys-Meyers, Velvet Goldmine) stumbles into good fortune when Chloe Hewett (Emily Mortimer, Lovely & Amazing), the daughter of a wealthy businessman, falls in love with him. But when Chris meets Nola Rice (Scarlett Johansson, Lost in Translation), a much deeper passion is stirred--and his desire isn't deterred when he discovers that Nola is already dating Chloe's brother.

Pierce Brosnan gives one of his finest performances in The Matador, a low-key buddy comedy with an agreeably sinister twist. Light-years from his former James Bond image, Brosnan is unshaven, unnerved and unpredictable as freelance assassin Julian Noble, who encounters desperate businessman Danny Wright (Greg Kinnear) in the bar of a modern Mexico City hotel. Danny is intrigued when Julian reveals that he's a "facilitator of fatalities," and his wife "Bean" (Hope Davis) is equally fascinated when Julian shows up unexpectedly, six months later, at Danny's home in Denver.

In olden days, as Cole Porter famously observed, a mere glimpse of stocking was looked on as something shocking. So it's heartening to report that this 1965 black comedy still delivers on its billing as "the motion picture with something to offend everyone." Tony Richardson, fresh off the liberating Tom Jones, brings Evelyn Waugh's self-described "little nightmare" to the screen with all its sacrilegious shocks (and then some!) intact, courtesy of screenwriters Terry Southern (Dr. Strangelove) and Christopher Isherwood.

Without force-feeding its timely message, Good Night, and Good Luck illuminates history to enlighten our present, when the need for a free and independent press is more important than ever. In 90 breathtaking minutes of efficient and intricate storytelling, writer-director George Clooney and cowriter Grant Heslov pay honorable tribute to the journalistic integrity of legendary CBS newscaster Edward R. Murrow, Director George Clooney who confronted the virulent and overzealous anti-Communist witch-hunting of Wisconsin Sen.