Harry's fourth summer and the following year at Hogwarts are marked by the Quidditch World Cup and the Triwizard Tournament, in which student representatives from three different wizarding schools compete in a series of increasingly challenging contests. However, Voldemort's Death Eaters are gaining strength and even creating the Dark Mark giving evidence that the Dark Lord is ready to rise again.
A light farce dressed up as a lush 18th century costume drama, Casanova gives a fictional spin to the exploits of history's most rakish seducer of women. As played by Heath Ledger, this Casanova bears no resemblance to Donald Sutherland's unrepentant portrayal in Fellini's Casanova, filmed 30 years earlier. Instead, the great ladies' man of Venice is just biding time by bedding women, waiting for true love (and the return his long-absent mother) to settle down into blissful monogamy.
Like the animated series itís based on, Aeon Flux is the kind of sci-fi thatís best appreciated by the MTV generation. Itís a serious attempt at stylized, futuristic action/adventure (the title character, played by Charlize Theron, is essentially a female James Bond for the cyberpunk era) and taken for what it is, itís not all that bad. The action takes place in the year 2415, four centuries after a virus nearly decimated the human race, leaving only five million survivors in a utopian city called Bregna.
Taut and gripping, U-571 follows the exploits of a fictional team of World War II U.S. submariners who undertake a secret mission to capture a German Enigma machine to decode German documents. Writer-director Jonathan Mostow (Breakdown) tells an intense, economical tale, reminiscent of the best classic war films, while infusing it with modern sentiments. Spring 1942: A crew of young submarine sailors are on a much-needed 48-hour liberty when they're suddenly called together and engaged in an expedition.
This is the restored, 209-minute director's cut of Wolfgang Petersen's harrowing and claustrophobic U-boat thriller, which was theatrically re-released in 1997. Originally made as a six-hour miniseries, this version devotes more time to getting to know the crew before they and their stoic captain (J¸rgen Prochnow) get aboard their U-boat and find themselves stranded at the bottom of the sea. Das Boot puts you inside that submerged vessel and explores the physical and emotional tensions of the situation with a vivid, terrifying realism that few movies can match.
Millions wears its heart on its sleeve, and it wears it well. Two boys, still grieving the death of their mother, find themselves the unwitting benefactors of a bag of bank robbery loot in the week before the United Kingdom switches its official currency to the Euro. What's a kid to do? Director Danny Boyle takes a simple premise and, with the help of Frank Cottrell Boyce's sweet, smart script, finds something special to say about the hopes everyone has for the future of a changing world.
In his direction of The Hurricane, veteran filmmaker Norman Jewison understands that slavish loyalty to factual detail is no guarantee of compelling screen biography. In telling the story of boxer Rubin "Hurricane" Carter--who was wrongly convicted of murder in 1967 and spent nearly two decades in jail--Jewison and his screenwriters compress time, combine characters, and rearrange events with a nonchalance that would be galling if they didn't remain honest to the core truth of Carter's ordeal.
It's hard to believe Ridley Scott's handsome epic won't become the cinematic touchstone of the Crusades for years to come. Kingdom of Heaven is greater than the sum of its parts, delivering a vital, mostly engrossing tale following Balian (Orlando Bloom), a lonely French blacksmith who discovers he's a noble heir and takes his father's (Liam Neeson) place in the center of the universe circa 1184: Jerusalem. Here, grand battles and backdoor politics are key as Scott and first-time screenwriter William Monahan fashion an excellent storyline to tackle the centuries-long conflict.
In The Life Aquatic with Steve Zissou, director Wes Anderson takes his familiar stable of actors on a field trip to a fantasy aquarium, complete with stop-motion, candy-striped crabs and rainbow seahorses. And though Anderson does expand his horizons in terms of retro-special effects and a whimsical use of color, fans will otherwise find themselves in well-charted waters.
The two-disc edition of Sin City easily makes the earlier single-disc theatrical-cut release obsolete by including the regular theatrical cut on the first disc, recutting the movie into four extended segments on the second disc (separated by story line), then piling on an impressive load of bonus features. But there's a catch.
