Cinderella Man is a wholesome slice of old-fashioned Americana, offering welcomed relief from the shallowness of many summer blockbusters. In dramatizing the legendary Depression-era comeback of impoverished boxer Jim Braddock, director Ron Howard benefits from another superb collaboration with his A Beautiful Mind star Russell Crowe, whose portrayal of Braddock is simultaneously warm, noble, and tenacious without resorting to even the slightest hint of sentimental melodrama.
Vampire hunter Van Helsing (Peter Cushing) returns to Transylvania to destroy handsome bloodsucker Baron Meinster, who has designs on beautiful young schoolteacher Marianne. One of the last Hammer films shot by the marvelous Jack Asher.
After a senator suddenly dies after completing (and sealing) an investigation into the nuclear power industry, the remaining senator and the state governor must decide on a person who will play along with their shady deals and not cause any problems. They decide on Billy Jack, currently sitting in prison after being sent to jail at the end of his previous film, as they don't expect him to be capable of much, and they think he will attract young voters to the party. Billy is pardoned, released and nominated, after which he begins his duties.
After all the controversy and rigorous debate has subsided, Mel Gibson's The Passion of the Christ will remain a force to be reckoned with.
Thanks to repeated showings on cable television and home video, this speculative thriller has built quite a loyal following since its release in 1978. The provocative "what if?" scenario still packs a punch, even if it is not always believable. James Brolin, Sam Waterston, and O.J. Simpson star as three astronauts who agree to spare the government embarrassment by faking their historic landing on Mars after their spacecraft is determined to be unsafe for blastoff.
Stanley Kubrick was only 31 years old when Kirk Douglas (star of Kubrick's classic Paths of Glory) recruited the young director to pilot this epic saga, in which the rebellious slave Spartacus (played by Douglas) leads a freedom revolt against the decadent Roman Empire. Kubrick would later disown the film because it was not a personal project--he was merely a director-for-hire--but Spartacus remains one of the best of Hollywood's grand historical epics.
No one uses color like Chinese director Zhang Yimou--movies like Raise the Red Lantern or Hero, though different in tone and subject matter, are drenched in rich, luscious shades of red, blue, yellow, and green. House of Flying Daggers is no exception; if they weren't choreographed with such vigorous imagination, the spectacular action sequences would seem little more than an excuse for vivid hues rippling across the screen.
Sir Richard Attenborough's 1982 multiple-Oscar winner (including Best Picture, Best Director, and Best Actor for Ben Kingsley) is an engrossing, reverential look at the life of Mohandas K. Gandhi, who introduced the doctrine of nonviolent resistance to the colonized people of India and who ultimately gained the nation its independence. Kingsley is magnificent as Gandhi as he changes over the course of the three-hour film from an insignificant lawyer to an international leader and symbol.
Half of the characters in this 1988 John Landis potboiler seem to be played either by Eddie Murphy or costar Arsenio Hall, swaddled in elaborate Rick Baker makeup appliances that render them unrecognizable but also weirdly immobile. As a pampered African prince who journeys incognito to Queens, New York, to find a bride who will love him just for himself, Murphy manages to look smug and naive at the same time.
Anyone who's ever been passionate about golf will find something to admire in Bobby Jones: Stroke of Genius, a staidly reverent biopic about one of the game's greatest champions.
