Jules Verne's classic adventure is perfectly matched with Ray Harryhausen's timeless movie magic in Mysterious Island. Based on Verne's sequel to 20,000 Leagues Under the Sea, this rousing Civil War-era fantasy begins when a band of Union war prisoners (and one Confederate straggler) escape in a hot-air balloon, which crash-lands on the titular island of mystery.
By George, they've got it! Newly transferred from elements painstakingly restored in 1994, the film version of Lerner and Loewe's My Fair Lady is lavish, loverly and the acclaimed recipient of eight 1964 Academy Awards®, including Best Picture and Best Director (Cukor). Best Actor Oscar winner Rex Harrison reprises his signature stage role of Henry Higgins, the supremely assured phoneticist who wagers that under his tutelage, Cockney flower girl Eliza Doolittle can pass for a duchess at the Embassy Ball. In one of her best-loved roles, Audrey Hepburn plays Eliza.
How far would an ordinary father go to spend more time with his children? Daniel Hillard (Robin Williams) is no ordinary father, so when he learns his ex-wife (Sally Field) needs a housekeeper, he applies for the job. With the perfect wig, a little makeup and a dress for all occasions, he becomes Mrs. Doubtfire, a devoted British housekeeper who is hired on the spot. Free to be the “woman” he never knew he could be, the disguised Daniel creates a whole new life with his entire family.
This was the first James Bond adventure produced after the success of Star Wars, so it jumped on the sci-fi bandwagon by combining the suave appeal of Agent 007 (once again played by Roger Moore) with enough high-tech hardware and special effects to make Luke Skywalker want to join Her Majesty's Secret Service. After the razzle-dazzle of The Spy Who Loved Me, this attempt to latch onto a trend proved to be a case of overkill, even though it brought back the steel-toothed villain Jaws (Richard Kiel) and scored a major hit at the box office.
Protecting the earth from the scum of the universe. Working for a highly funded yet unofficial government agency, K (Tommy Lee Jones) and J (Will Smith) are the Men In Black, providers of immigration services and regulators of all things alien on earth. They are our best, last, and only line of defense when close encounters get ugly. They work in secret and they dress in black. They are the best-kept secret in the universe.
Despite the inevitable law of diminishing returns, The Matrix Revolutions is quite satisfying as an adrenalized action epic, marking yet another milestone in the exponential evolution of computer-generated special effects. That may not be enough to satisfy hardcore Matrix fans who turned the Wachowski Brothers' hacker mythology into a quasi-religious pop-cultural phenomenon, but there's no denying that the trilogy goes out with a cosmic bang instead of the whimper that many expected.
Could this be the funniest movie ever made? By any rational measure of comedy, this medieval romp from the Monty Python troupe certainly belongs on the short list of candidates. According to Leonard Maltin's Movie & Video Guide, it's "recommended for fans only," but we say hogwash to that--you could be a complete newcomer to the Python phenomenon and still find this send-up of the Arthurian legend to be wet-your-pants hilarious.
On a remote stretch of deserted highway, a band of violent bikers has taken over, attacking anyone unlucky enough to cross their savage path. Racing up and down the seemingly endless miles of asphalt, the crazed outlaws blaze through small towns, plowing into vehicles and pedestrians alike with reckless abandon. Bringing a sense of law to this lawlessness are the mobile police force, led by Max and Goose, who are as fast and mean as their adversaries and are willing to do whatever it takes to cut the enemy down.
A baseball comedy and slob comedy rolled into one, this one actually works as entertainment, if not as a piece of cinematic mastery. James Gammon is the has-been manager hired to lead the last-place Cleveland Indians whose owner wants them to lose so she can sell them. But the team of has-beens and never-wases that he assembles (including Tom Berenger, Charlie Sheen, Corbin Bernsen, and Wesley Snipes) develops a sense of pride and turns the team around. There's plenty of rowdy humor about sex, race, and whatever else they can make fun of.
A lusty and rousing adventure, this calls to mind those glorious costume dramas produced so capably by the old Hollywood studio system--hardly surprising, in that its title character, a de facto Robin Hood in Old California, provided starring vehicles for Douglas Fairbanks and Tyrone Power, the '50s TV hit, and dozens of serials and features. Zorro, a pop-fiction creation invented by Johnston McCulley in 1918, is given new blood in this fast-moving and engaging version, which actually works as a sequel to the story line in the Fairbanks-Power saga, The Mark of Zorro.
