Jack Campbell (Nicolas Cage) is the quintessential Wall Street shark, scoring killer deals by day and shallow escort sex by night. His round-the-clock routine of empty luxuries is disturbed one lonely Christmas Eve when a gun-packing punk (Don Cheadle)--perhaps an angel of mercy--responds to an altruistic gesture from Jack by giving him "a glimpse" of the life he could have had.
In the last 15 years Jack Baker (Jeff Bridges) and Frank Baker (Beau Bridges) have played every hotel and cocktail lounge they could book. But lately business has been off and they decide to hire Susie Diamond (Michelle Pfeiffer), a chain-smoking, hard-talking beauty with a terrific voice. The trio hits the road and they are an instant success. Susie has given the act a touch of class and a lot of sex appeal. Jack secretly yearns to play solo jazz gigs even though Frank wants to keep the group together.
On a hot Brooklyn afternoon, two optimistic losers set out to rob a bank. Sonny (Al Pacino) is the mastermind, Sal (John Cazale) is the follower, and disaster is the result. Because the cops, crowds, TV cameras and even the pizza man have arrived. The "well-planned" heist is now a circus. Pacino and director Sidney Lumet, collaborators on Serpico, reteam for this boisterous comedy/thriller that earned six Academy Award nominations (including Best Picture), and won an Oscar for Frank Pierson's streetwise screenplay.
Too old for Hamlet and too young for Lear--what's an ambitious actor to do? Play the Devil, of course. Jack Nicholson did it in The Witches of Eastwick; Robert De Niro did it in Angel Heart (as Louis Cyphre--get it?). In The Devil's Advocate Al Pacino takes his turn as the great Satan, and clearly relishes his chance to raise hell. He's a New York lawyer, of course, by the name of John Milton, who recruits a hotshot young Florida attorney (Keanu Reeves) to his firm and seduces him with tempting offers of power, sex, and money.
His career, marriage, and future are all on the line for DigiCom executive Tom Sanders (Michael Douglas). He rejected the passionate advance of his new boss (Demi Moore). Now she's charging him with sexual harassment. Tom must scramble for his corporate life - a scramble that will lead him into the dazzling cyberworld of DigiCom's new virtual reality corridor... and bare a shocking conspiracy among key company personnel.
Whether or not you can sympathize with its fascistic/vigilante approach to law enforcement, Dirty Harry (directed by star Clint Eastwood's longtime friend and directorial mentor, Don Siegel) is one hell of a cop thriller. The movie makes evocative use of its San Francisco locations as cop Harry Callahan (Eastwood) tracks the elusive "Scorpio killer" who has been terrorizing the city by the Bay.
Four ordinary men in two canoes navigate a river they only know as a line on a map, taking on a wilderness they only think they understand. Deliverance, based on James Dickey's novel, surges with the urgency of masterful storytelling, like Georgia's Chattooga River along which it was shot. Equally masterful is the portrayal of each man's change of character under stress, harrowingly enacted by award winners Jon Voight, Burt Reynolds, Ned Beatty and Ronny Cox.
After Sudden Impact, no one could have expected the Dirty Harry sequel to follow. But The Dead Pool is fairly inspired, even playful--check out a "chase" scene between Clint Eastwood's Harry Callahan character and a remote-controlled toy car wielding a bomb--and it ended the long-running series on an unexpectedly positive note. This time, Callahan investigates a series of murders that appears to be on a "death list," while becoming romantically involved with a television reporter (Patricia Clarkson).
A sumptuously mounted and photographed celebration of artful wickedness, betrayal, and sexual intrigue among depraved 18th-century French aristocrats, Dangerous Liaisons (based on Christopher Hampton's Les Liaisons Dangereuses) is seductively decadent fun. The villainous heroes are the Marquise De Merteuil (Glenn Close) and the Vicomte De Valmont (John Malkovich), who have cultivated their mutual cynicism into a highly developed and exquisitely mannered form of (in-)human expression.
Sarah Michelle Gellar and Ryan Phillippe sizzle as a pair of unscrupulous siblings in a deliciously sexy tale of seduction, revenge and conquest. After cleverly seducing and ruining the reputation of an unsuspecting classmate (Selma Blair) the sparks fly when Kathryn (Gellar) poses the ultimate challenge to her insatiable stepbrother Sebastian (Phillippe): deflower the Headmaster's beautiful, virgin daughter Annette (Reese Witherspoon). If he fails, Kathryn gets his most prized possession, but if he succeeds, Sebastian gets to possess and bed Kathryn.
