The Day After Tomorrow is lots of fun for connoisseurs of epic-scale disaster flicks. After the blockbuster profits of Independence Day and Godzilla, you can't blame director Roland Emmerich for using global warming as a politically correct excuse for destroying most of the northern hemisphere. As tornadoes flatten Los Angeles, a tidal wave engulfs New York City and the entire Northern Hemisphere begins to freeze solid.
A legend forged in a blaze of glory. Good weather for a hanging. Billy the Kid's outlaw ingrates are penned like sows in a Lincoln County pit and the Kid is strapped in a nearby hotel. But the hangman will go home disappointed tonight. Billy cleverly breaks himself - then his gang - free. One of the West's greatest legends lives to ride another day. By 1879, the Lincoln County Wars have ended but bad blood endures. Billy and his men look to Mexico for haven - if they can elude Billy's one-time friend, pursuing Sheriff Pat Garrett (William Petersen).
Xanadu is a look at the future and a loving remembrance of the way things were in the heyday of Hollywood. The musical score includes the hit songs "Magic," "I'm Alive," "All Over The World," "Suddenly," and the title song "Xanadu." Olivia Newton-John will dazzle your senses with her luminous beauty and fabulous voice. She and Gene Kelly star in this mesmerizing musical fantasy. The '40s meets the '80s in Xanadu, a very special love story and the first lavish, old-fashioned musical to utilize today's music.
Seduction is a powerful force, and in the form of The Woman In Red, it's certain to lead to unbridled passion and unlimited laughs! Featuring a first-rate cast that includes Gene Wilder, Charles Grodin, Joseph Bologna, Judith Ivey, Kelly Le Brock and Emmy winner Gilda Radner, this comedy bombshell scores a perfect 10! Businessman Teddy Pierce (Wilder) has always played by the rules, until he meets the woman in red. With killer legs and a knockout style, sexy Charlotte (Le Brock) is the ultimate fantasy woman. Now Teddy's headed straight for trouble.
The film boasts the best of the Bond title songs (this one sung on a dreamy track by Nancy Sinatra), and the story concerns an effort by the evil organization SPECTRE to start a world war, but the villain behind the plot is the civilized Donald Pleasence. When an American space capsule is swallowed up by what they believe to be a Russian spaceship, World War 3 nearly breaks out. The British Government, however, suspect that other powers are at work as the space craft went down near Japan. S.P.E.C.T.R.E.
The World Is Not Enough opens on an unusually powerful note. A stunning pre-title sequence reaches beyond mere pyrotechnics to introduce key plot elements as the action leaps from Bilbao to London. Bond 5.0, Pierce Brosnan, undercuts his usually suave persona with a darker, more brutal edge largely absent since Sean Connery departed.
A good old-fashioned thriller that wears its Alfred Hitchcock pedigree proudly on its sleeve, What Lies Beneath stars Harrison Ford and Michelle Pfeiffer as picture-perfect married couple Norman and Claire Spencer, who seem happy and content with a fabulous house, college-age daughter and still-active libidos. When said daughter heads off to college, Claire starts obsessing about her new neighbors, and becomes convinced that the moody husband killed the neurotic wife, and that the wife's ghost has a desperately important message for her.
Jonathan Kaplan (The Accused) directed this creepy thriller about an outwardly friendly cop (Ray Liotta) who attaches himself to a married couple (Kurt Russell, Madeleine Stowe) whom he helps during a crisis. In short order, he's revealed to be a psychopath who wants Russell's wife, but the film is about more than Liotta's mental state. A bold script and Kaplan's astute direction peel away the layers of masculine identity in the male leads and underscore the painful conflicts good men feel when faced with classic territorial challenges.
Michael Douglas, Kathleen Turner, and Danny DeVito reunited for a third time to fabulous effect in this dark, disturbing comedy of martial trauma and revenge, which couldn't be more different from their sunnier outings in Romancing the Stone and The Jewel of the Nile.
Director Peter Bogdanovich (The Last Picture Show) tipped his hat to the classic screwball comedies of the 1930s, and especially the most glorious of them all, Howard Hawks' Bringing Up Baby. Barbra Streisand plays a charming flake who distracts a self-absorbed musicologist (Ryan O'Neal). He's engaged to be married, but soon Streisand's character has him chasing after stolen jewelry and getting into one madcap fix after another.
