Brian Keith, Ernest Borgnine, Suzanne Pleshette and Tony Curtis head a "first-rate cast" (Motion Picture Herald) in this "sharp, amusing" (The New York Times) comedy that pits the fed-up brass of an Army base against the fired up citizens of a nearby town!
Like an airport running at peak efficiency, The Terminal glides on the consummate skills of its director and star. Having refined their collaborative chemistry on Saving Private Ryan and Catch Me if You Can, Steven Spielberg and Tom Hanks mesh like the precision gears of a Rolex, turning a delicate, not-very-plausible scenario into a lovely modern-age fable (partly based on fact) that's both technically impressive and subtly moving.
In between the disaster movie satire Airplane! in 1980 and the hardboiled cop show parody The Naked Gun in 1988, the comedy crew of Jerry Zucker, Jim Abrahams, and David Zucker put together a picture that's almost as funny as their better-known hits. Top Secret! sends up spy movies and cheesy teen rock & roll musicals.
A high-ranking judge with a vendetta against drugs learns his own daughter is a cocaine addict - a San Diego housewife must suddenly take over her husband's drug dealing business when he is arrested - a Mexican police officer struggles to do the right thing in the midst of corruption. Michael Douglas, Catherine Zeta-Jones and Benicio Del Toro star in Steven Soderbergh's amazing intertwined stories of the failing war on drugs.
Robert Towne is one of Hollywood's most celebrated screenwriters, but because his directorial efforts have been few and far between, anticipation was high when this star-powered crime story was released in 1988. Critical reaction was decidedly mixed, but there's plenty to admire in this silky, visually seductive film about a drug dealer (Mel Gibson) whose best friend from high-school (Kurt Russell) is now working for the Los Angeles sheriff's drug detail.
James Caan is at his very best as a tough, wisecracking professional thief trapped between Chicago organized crime families and corrupt police in this "gripping drum-tight tale" (Los Angeles Magazine). Michael Mann, who directed Last of the Mohicans and Manhunter and produced "Miami Vice" and "Crime Story," wrote and directed this taut, visually dazzling "heist"-drama called "the best of that breed since The Asphalt Jungle" by New West Magazine.
I feel like I've been handed a new life, says Tom Ripley at a crucial turning point of this well-cast, stylishly crafted psychological thriller. And indeed he has, because the devious, impoverished Ripley (played with subtle depth by Matt Damon) has just traded his own identity for that of Dickie Greenleaf (Jude Law), the playboy heir to a shipping fortune who has become Ripley's model for a life worth living.
There are many reasons to recommend Troy as a good ol' fashioned Hollywood epic, especially if you've never read Homer's The Iliad. Dispensing with Greek gods altogether, this earnestly massive production (budgeted at upwards of $200 million) will surely offend historians and devoted students of the classics (for them, there's the History Channel's Troy).
He's the star of the show - but he doesn't know. Jim Carrey wowed critics and audiences alike as unwitting Truman Burbank in this marvel of a movie from director Peter Weir about a man whose life is a nonstop TV show. Truman doesn't realize that his quaint hometown is a giant studio set run by a visionary producer/director/creator (Harris), that folks living and working there are Hollywood actors, that even his incessantly bubbly wife is a contract player. Gradually, Truman gets wise.
Director Marty DiBergi (Rob Reiner) solemnly alerts us to the glory that was Spinal Tap in his introduction to this "rockumentary" about the legendary British heavy-metal group, featuring lead guitarist Nigel Tufnel (Christopher Guest), lead singer David St. Hubbins (Michael McKean), bassist Derek Smalls (Harry Shearer), and a succession of drummers whose careers were cut short by spontaneously combusting on their stool, drowning in somebody else's vomit, or otherwise perishing in untimely fashion.
