Brought back from his dead mouldering remains with blood drooled on them by one of the bats he commands, Count Dracula once again spreads his evil from his mountaintop castle. When libertine Paul Carlson disappears one night, his more sober brother Simon and his girlfriend trace him to the area, discovering a terrified populace. Thrown out of the inn, they make their way, like Paul before them, towards the sinister castle and its undead host.
This sprawling epic of bloodshed and excess, Brian De Palma's update of the classic 1932 crime drama by Howard Hawks, sparked controversy over its outrageous violence when released in 1983. Scarface is a wretched, fascinating car wreck of a movie, starring Al Pacino as a Cuban refugee who rises to the top of Miami's cocaine-driven underworld, only to fall hard into his own deadly trap of addiction and inevitable assassination.
The Russians Are Coming, the Russians Are Coming looks overly cute now, but really, it was pretty hip for 1966. The cold war was in full deep-freeze when this well-meaning comedy tried to thaw things out a little: a Soviet submarine beaches on the New England coast, sending the locals into a paranoid frenzy. The chief pleasure of the film is Alan Arkin as the sub captain; this was Arkin's first major film role, and he had already mastered his exasperated, slow-burning frown (to say nothing of mastering his Russian dialogue).
Rush Hour 2 retains the appeal of its popular predecessor, so it's easily recommended to fans of its returning stars, Chris Tucker and Jackie Chan. The action--and there's plenty of it--starts in Hong Kong, where Detective Lee (Chan) and his L.A. counterpart Detective Carter (Tucker) are attempting a vacation, only to get assigned to sleuth a counterfeiting scheme involving a triad kingpin (John Lone), his lethal henchwoman (Zhang Ziyi, from Crouching Tiger, Hidden Dragon), and an American billionaire (Alan King).
If Interiors was Woody Allen's Bergman movie, and Stardust Memories was his Fellini movie, then you could say that Sleeper is his Buster Keaton movie. Relying more on visual/conceptual/slapstick gags than his trademark verbal wit, Sleeper is probably the funniest of what would become known as Allen's "early, funny films" and a milestone in his development as a director. Allen plays Miles Monroe, cryogenically frozen in 1973 (he went into the hospital for an ulcer operation) and unthawed 200†years later.
Sink the Bismarck! recounts one of the most famous battles in the history of naval warfare. Shot in semidocumentary style, the black-and-white film covers all sides in the famous hunt for the powerful German warship that terrorized the sea for eight days. The story and combat are rendered as faithfully as possible to C.S. Forester's novel. There are a few historical errors and some other minor liberties taken for dramatic license, both of which the viewer will easily be able to overlook.
After creating many of the innovative special effects for 2001: A Space Odyssey, Douglas Trumbull tried his hand at directing, and 1971's Silent Running marked an impressive debut.
Clever twists and a bona fide surprise ending make this an above-average courtroom thriller, tapping into the post-O.J. scrutiny of our legal system in the case of a hotshot Chicago defense attorney (Richard Gere) whose latest client is an altar boy (Edward Norton) accused of murdering a Catholic archbishop. The film uses its own manipulation to tell a story about manipulation, and when we finally discover who's been pulling the strings, the payoff is both convincing and pertinent to the ongoing debate over what constitutes truth in the American system of justice.
Comic genius Steve Martin delivers an incredible performance as an engaging small-town fire chief who has only one tiny flaw - no, make that one HUGE flaw - his astonishingly long nose. Although he considers it no laughing matter, the hilarity never stops as C.D. Bales (Martin) contends with jerky nose jokes, a bumbling crew of firemen and his secret love for gorgeous astronomy student Roxanne (Hannah). Unfortunately, she is attracted to fireman Chris (Rossovich), who's tall on looks and short on conversation. And when C.D.
Kevin Costner and Madeleine Stowe ignite the screen in this deeply erotic and suspenseful thriller from the director of Top Gun and Crimson Tide. Costner stars as Michael J. Cochran, a former fighter pilot who is irresistibly drawn to the beautiful wife of an old friend. Anthony Quinn, in a powerful performance, co-stars as the husband who reacts with uncontrollable rage to the double betrayal.
