Trailers/TV spots

At last--a great American movie available on video for the first time in its original aspect ratio. For all the slasher pictures that have ripped off Psycho (and particularly its classic set piece, the "shower scene"), nothing has ever matched the impact of the real thing. More than just a first-rate shocker full of thrills and suspense, Psycho is also an engrossing character study in which director Alfred Hitchcock skillfully seduces you into identifying with the main characters--then pulls the rug (or the bathmat) out from under you.

The plot line may sound familiar: Two mismatched cops are assigned as reluctant partners to solve a crime. Culturally they are complete opposites, and they quickly realize they can't stand each other. One (Jackie Chan) believes in doing things by the book. He is a man with integrity and nerves of steel. The other (Chris Tucker) is an amiable rebel who can't stand authority figures. He's a man who has to do everything on his own, much to the displeasure of his superior officer, who in turn thinks this cop is a loose cannon but tolerates him because he gets the job done.

Platoon put writer-turned-director Oliver Stone on the Hollywood map; it is still his most acclaimed and effective film, probably because it is based on Stone's firsthand experience as an American soldier in Vietnam. Chris (Charlie Sheen) is an infantryman whose loyalty is tested by two superior officers: Sergeant Elias (Willem Dafoe), a former hippie humanist who really cares about his men (this was a few years before he played Jesus in Martin Scorsese's The Last Temptation of Christ), and Sergeant Barnes (Tom Berenger), a moody, macho soldier who may have gone over to the dark side.

Clever twists and a bona fide surprise ending make this an above-average courtroom thriller, tapping into the post-O.J. scrutiny of our legal system in the case of a hotshot Chicago defense attorney (Richard Gere) whose latest client is an altar boy (Edward Norton) accused of murdering a Catholic archbishop. The film uses its own manipulation to tell a story about manipulation, and when we finally discover who's been pulling the strings, the payoff is both convincing and pertinent to the ongoing debate over what constitutes truth in the American system of justice.

Michael Douglas and Kathleen Turner have the adventure of their lives in this hugely successful romantic caper co-starring Danny DeVito. When her sister is kidnapped by thugs searching for a priceless jewel in the Colombian jungle, a romance novelist (Turner) soon finds her own life filled with cliffhangers and danger. All alone, she sets out to rescue her sister and meets up with a handsome fortune seeker (Douglas) who convinces her to beat the bandits to the treasure.

When it comes to ramping up to vein-bursting levels of tormented anxiety, Mel Gibson has a kind of mainstream intensity that makes him perfect for his heroic-father role in director Ron Howard's child-kidnapping thriller. When you think of Ransom, you automatically think of the scene in which Mel reaches his boiling point and yells, "Give me back my son!" to the kidnapper on the other end of several torturous phone calls.

Philip Kaufman's intimate epic about the Mercury astronauts (based on Tom Wolfe's book) was one of the most ambitious and spectacularly exciting movies of the 1980s. It surprised almost everybody by not becoming a smash hit. By all rights, the film should have been every bit the success that Apollo 13 would later become; The Right Stuff is not only just as thrilling, but it is also a bigger and better movie.

Academy Award nominee Julia Roberts (Notting Hill, Runaway Bride) and Richard Gere (Runaway Bride) light up the screen in this irresistible comedy! When successful corporate mogul Edward Lewis (Gere) meets carefree Vivian Ward (Roberts), their two lives are worlds apart. But Vivian's energetic spirit challenges Edward's no-nonsense approach to life, and soon they are teaching each other - and falling in love! This timeless rags-to-riches romance captures hearts with its humor, passion and unforgettable fun!

Confined to his small courtyard apartment by a broken leg, photojournalist L.B. Jeffries (James Stewart) passes the time between visits from his nurse (Thelma Ritter) and his girlfriend Lisa (Grace Kelly) by watching his neighbors with his binoculars through the rear window of his room. When Jeffries thinks he sees one of his neighbors murder his invalid wife and dispose of her body, he convinces Lisa to investigate. One of Alfred Hitchcock's greatest masterpieces of suspense.

There's a time for playing it safe and a time for...Risky Business. Meet Joel Goodsen. Industrious, college-bound 17-year-old. Responsible, trustworthy son. But he's been good too long. Joel's parents are away and he's in charge of the house. They trust him. Maybe they shouldn't. "One of the best American comedies of recent years" (Roger Ebert), Risky Business slyly explores the teen dilemma of growing up good-hearted but guilt-ridden. In his starmaking role as Joel, Tom Cruise is a charmer with conscience that foreshadows Jerry McGuire.