Trailers/TV spots

Set in the 1930's, this gangster spoof tells the comic tale of a Johnny Kelly (Michael Keaton) who is forced into a life of crime in order to pay for his ailing mother's medical treatment. Attempting to keep his straight life and his life of crime separate Johnny takes the name Dangerously and is soon a powerful mobster flush with women and riches. The Dangerously name is about to be slandered, though, by the Kelly family when Johnny's brother (Griffin Dunne) becomes the district attorney.

Lou Gossett, Jr. returns to his roleias leader of a unique brand of international war aces in this spectacular conclusion to the high-flying Iron Eagle series. Gossett and his aces team up with the beautiful and courageous Anna (two-time Miss Olympia Rachel McLish) to save her Peruvian village held hostage by a Latin American drug cartel led by a German madman (Paul Freeman).

The rough-edged vitality of contemporary Irish filmmaking is readily apparent in Intermission, a deliriously ambitious black comedy in which 54 characters and 11 plotlines compete for consistently impressive screen-time.

Brimming with the energy, passion and music that rocked a nation, Hair is an entertaining and powerful tribute to the turbulent spirit of the '60s. Brilliantly recreated by Oscar-winning director Milos Forman and screenwriter Michael Weller, this vibrant screen version of the Broadway phenomenon ranks "among the best film musicals" (The Hollywood Reporter). Fresh from the farm, Claude Bukowski (Savage) arrives in New York City for a date with the Army Introduction Board, only to walk into a hippie 'happening' in Central Park and fall in love with the beautiful Sheila (D'Angelo).

All aboard for runaway action and suspense in this riveting masterpiece from writer/director Michael Crichton! Starring Sean Connery, Donald Sutherland and Lesley-Anne Down, it's a "spine-tingling and suavely performed adventure," (The Hollywood Reporter) based on history's first train robbery. Filmed by Academy Award-winning cinematographer Geoffrey Unsworth, this "ingenious" (Variety) and "wonderful" (Gene Shalit) crime caper delivers mile-a-minute thrills and breathtaking excitement.

One of Barbra Streisand's most beloved performances is that of the indomitable Dolly Levi in this hugely popular musical that received a Best Picture Academy Award nomination in 1969. It's turn-of-the-century Yonkers, New York, where an ambitious young widow with a penchant for matchmaking (Streisand), has an idea for the perfect match-tight-fisted, local merchant Horace Vandergelder (Walter Matthau) and-herself! As she tries to win his heart, we're treated to one of the most musically entertaining, hilariously underhanded plots in film history.

Clint Eastwood's second film as a director finds the celebrated action star returning to his familiar Old West stomping grounds and his internationally acclaimed role of "The Man With No Name". This time, The Stranger (Eastwood) mysteriously appears out of the heat waves of the desert and rides into the lawless, sin-ridden town of Lago. After making a name for himself with a string of blazing gun battles, The Stranger is hired by the townspeople to provide protection from three ruthless gunmen just out of jail.

Mel Brooks's 1981, three-part comedy--set in the Stone Age, the Roman Empire, and the French Revolution--is pure guilty pleasure. Narrated by Orson Welles and featuring a lot of famous faces in guest appearances (beyond the official cast), the film opens well with Sid Caesar playing a caveman, then moves along to the unlikely but somehow hilarious juxtaposition of Caesar's soldiers (the other Caesar, not Sid) with pot humor, and ends on a dumb-funny note in the French bloodbath. This is a take-it-or-leave-it movie, and it works best if you're in a take-it-or-leave-it mood.

Newman is electrifying as Fast Eddie Felson, an arrogant, amoral hustler who haunts backstreet pool rooms fleecing anyone who'll pick up a cue. Determined to be acclaimed as the best, Eddie seeks out the legendary Minnesota Fats, who's backed by Bert Gordon, a predatory gambler. Eddie can beat the champ, but virtually defeats himself with his low self-image. The love of a lonely woman could turn Eddie's life around, but he won't rest until he beats Minnesota Fats, no matter what price he must pay.

After Hammer Studios' tremendous success with The Curse of Frankenstein, they struck a deal to adapt Universal's catalog of classics and set their sights first on Dracula. Christopher Lee removes the monstrous makeup from the earlier film and makes his entrance as an elegant, confident, altogether seductive Dracula, a frightening figure of flashing eyes and erotic allure. Peter Cushing, with his hawklike profile and piercing eyes, turns his rationalist intensity to Van Helsing: man of science as crusading vampire hunter.