David Mamet's Heist is--not unlike many of his previous films--amusing, manicured, and fraught with an awkward tension. If you've seen The Spanish Prisoner or House of Games, you're by now familiar with the plot-subverting gambit of the double-cross turned triple- and then quadruple-cross. Heist sticks to the formula.
In 1992, Woody Allen and Mia Farrow--heretofore the Lunt and Fontanne of Hollywood on the Hudson--went public with a media-saturated battle over Allen's affair with Farrow's adopted daughter. Only a few months later, Allen released this film, starring himself and Farrow acting out a virtually identical plot line: an unhappy marriage begins to crumble when the husband strays with a much younger woman (in this case, one of his students, played by Juliette Lewis).
Based on Tom Clancy's bestseller, directed by John McTiernan (Die Hard) and starring Sean Connery and Alec Baldwin, The Hunt For Red October sweats with high-tech anxiety and the tension of men who hold Doomsday in their hands. A new technologically-superior Soviet nuclear sub, the Red October, is heading for the U.S. coast under the command of Captain Marko Ramius (Connery). The American government thinks Ramius is planning to attack.
The sequel to the wonderfully wacky Hot Shots! uses Rambo as its model for nonstop send-ups (though director Jim Abrahams can't resist inserting a Saddam Hussein lookalike, given the film's post-Gulf War release). This time, Lloyd Bridges, who was an admiral in the first movie, has become president (take that, Colin Powell!) and needs someone to take care of the threat posed by a certain mustached Middle Eastern dictator. Who better than ever-reliable Topper Harley (Charlie Sheen)?
The gang that created Airplane and The Naked Gun sets its sights on Top Gun in this often hilarious spoof starring Charlie Sheen, who previously only inspired laughs with his personal life. He plays Topper Harley, a fighter pilot with an ax to grind: clearing the family name. He gets involved in a relationship with Valerie Golino, a woman with an unusually talented stomach. But his mission is to avenge his father. Lloyd Bridges, late in his career, revealed an aptitude for this kind of silliness, here as a commander who is both incredibly dim and delightfully accident prone.
One of the most rousingly enjoyable sports movies ever made, this small-town drama tells the story of the Hickory Huskers, an underdog basketball team from a tiny Indiana high school that makes it all the way to the state championship tournament. It's a familiar story, but sensitive direction and a splendid screenplay helped make this one of the best films of 1986, highlighted by the superb performances of Gene Hackman as the Huskers' coach, and Oscar nominee Dennis Hopper as the alcoholic father of one of the team's key players.
ow and forever a favorite among kids, this 1990 comedy written by John Hughes (The Breakfast Club) and directed by Chris Columbus (Mrs. Doubtfire) ushered Macaulay Culkin onto the screen as a troubled 8-year-old who doesn't comfortably mesh with his large family. He's forced to grow a little after being accidentally left behind when his folks and siblings fly off to Paris. A good-looking boy, Culkin lights up the screen during several funny sequences, the most famous of which finds him screaming for joy when he realizes he's unsupervised in his own house.
Val Waxman (Allen) was big-time movie director in 1970's and 1980's but is washed up now and just gets commercial directing jobs. He gets another chance at a directing a big film but goes temporarily blind from paranoia. Instead of losing the job, Val and his friends try to make the movie without the executives finding out about the blindness.
Heaven Can Wait is a romantic fantasy about Joe Pendleton (Warren Beatty), a Los Angeles Rams quarterback who is accidentally summoned to heaven by an overly zealous celestial escort. Pendleton is returned to earth in the body of another man, who is a corporate giant. While practicing to once again play for the Rams, Pendleton must escape attempts on his life while romantically pursuing a beautiful Englishwoman (Julie Christie) who protests the destruction caused to her village by one of his many corporations.
Considered by many to be Woody Allen's best film, even over Annie Hall. Hannah and Her Sisters follows a multitude of characters: Hannah (Mia Farrow), who plays den mother to her extended family; her sister Lee (Barbara Hershey), emotional and a bit of a flake, who's involved with a much older artist (Max Von Sydow), who treats her like a child; and Hannah's other sister, Holly (Dianne Wiest), a neurotic who feels incapable of managing her life. Hannah's husband Elliot (Michael Caine) falls in love with Lee, which sets off a series of upheavals.
