Trailers/TV spots

The leading icon of a generation, --Roger Ebert, Academy Award winner Clint Eastwood continues his trademark role as the legendary "Man With No Name" in this second installment of the famous Sergio Leone trilogy. Scripted by Luciano Vincenzoni and featuring Ennio Morricone's haunting musical score, For A Few Dollars More is a modern classic - one of the greatest westerns ever made. Eastwood is a keen-eyed, quick-witted bounty hunter on the bloody trail of Indio, the territory's most treacherous bandit.

A big-budget summer epic with money to burn and a scale worthy of its golden Hollywood predecessors, Ridley Scott's Gladiator is a rousing, grisly, action-packed epic that takes moviemaking back to the Roman Empire via computer-generated visual effects. While not as fluid as the computer work done for, say, Titanic, it's an impressive achievement that will leave you marveling at the glory that was Rome, when you're not marveling at the glory that is Russell Crowe.

The 18th James Bond adventure was a runaway box-office success when released in 1995, thanks to the arrival of Pierce Brosnan as the fifth actor (following the departure of Timothy Dalton) to play the suave, danger-loving Agent 007. This James Bond is a bit more vulnerable and psychologically complex--and just a shade more politically correct--but he's still a formally attired playboy at heart, with a lovely Russian beauty (Izabella Scorupco) as his sexy ally against a cadre of renegade Russians bent on--what else?--global domination.

Matthew Perry stars as Alex Whitman, a New Yorker sent to Las Vegas to oversee a construction project. There he meets Isabel Fuentes (Salma Hayek) and some serious chemistry brings them together for one night. But Alex doesn't see Isabel again until three months later, when he learns that she is pregnant. On a whim and a prayer, he proposes. However, there's more to marriage than a Vegas chapel and an Elvis impersonator, as Alex and Isabel soon learn.

Dry as ice, dripping with deadpan witticisms, only Sean Connery's Bond would dare disparage the Beatles, that other 1964 phenomenon. No one but Connery can believably seduce women so effortlessly, kill with almost as much ease, and then pull another bottle of Dom Perignon '53 out of the fridge.

Directed with consummate skill by Terence Young, the second James Bond spy thriller is considered by many fans to be the best of them all. Certainly Sean Connery was never better as the dashing Agent 007, whose latest mission takes him to Istanbul to retrieve a top-secret Russian decoding machine.

When a British ship is sunk in foreign waters, the world's superpowers begin a feverish race to find its cargo: a nuclear submarine control system. And 007 (Roger Moore) is thrust into one of his most riveting adventures as he rushes to join the search and prevent global devastation! Soon we meet one of the best casts from any Bond, including the stunningly beautiful Carole Bouquet as Melina Havelock, daughter of ocean archeologists that attempt to locate the ship for the British government and are murdered.

Goldie Hawn, Bette Midler, and Diane Keaton prove that revenge is a dish best served cold. Former college buddies, they reunite at the funeral of a dear friend who took a swan dive onto Fifth Avenue. All three discover they share the same unhappy history of husbands who dove into middle-age by dumping them for trophy wives. Forming a warring triumvirate, they decide to get even, and along the way remind themselves of long-forgotten capabilities. The action gets a little too "wacky" at times, but the gals are great.

Mel Brooks, the unhinged movie parodist whose Blazing Saddles sent us Westward ho-ho-ho and whose Young Frankenstein electrified with mad-scientist nuts and jolts, now stokes the Bram Stoker vein with the comedy transfusion: Dracula Dead and Loving It. Leslie Nielsen plays the title role, and what's not to love? His Count is a pratfalling evil prince of a guy who believes in long relationships. Brooks portrays vampire hunter Van Helsing who won't give a bloodsucker an even break. Stakes, garlic, mirrors and more - they're all part of vampire lore.

Comedy favorite Hugh Grant (Notting Hill) stars as a young man who offends an entire town by declaring their mountain -- a prized local landmark -- to be a "hill." But he soon finds the eccentric locals, led by a witty innkeeper (Colm Meaney) will stop at nothing to defend their honor! While the townspeople rally around their "mountain," a fiery young woman (Tara FitzGerald) charms the puzzled out-of-towner into seeing things their way.