You'd think a black comedy about murder, tackiness, and sexual perversion would quickly become dated, but Eating Raoul (1982) feels surprisingly fresh and delightful. When Mary Bland (Mary Woronov) gets assaulted by one of the repulsive swingers from the neighboring apartment, her husband Paul (Paul Bartel) rescues her with a swift blow from a frying pan--only to discover a substantial wad of cash in the swinger's wallet.
It's easy to forget that this Spartan, violent film, which begat the Rambo series, was such a big hit in 1982 because it was a good movie. Green Beret vet John Rambo (Sylvester Stallone) wanders into the wrong small town to find a fellow 'Nam buddy and gets the living heck kicked out of him by the local law enforcement (led by Brian Dennehy). The vet strikes back the only way he knows how, leading to a visceral, if unrealistic, flight and fight through the local mountains.
The time is now. The place is aboard the U.S.S. Nimitz, America's mightiest nuclear-powered aircraft carrier on maneuvers in theiPacific Ocean. Suddenly, a freak electrical storm engulfs theiship and triggers the impossible: The Nimitz is hurtled back in time to December 6, 1941, mere hours before the Japanese attack on Pearl Harbor.
Robert Clayton Dean (Will Smith) is a lawyer with a wife and family whose happily normal life is turned upside down after a chance meeting with a college buddy (Jason Lee) at a lingerie shop. Unbeknownst to the lawyer, he's just been burdened with a videotape of a congressman's assassination. Hot on the tail of this tape is a ruthless group of National Security Agents commanded by a belligerently ambitious fed named Reynolds (Jon Voight).
If they really got what it takes, it's going to take everything they got. Seven classes a day and a hot lunch. That's what New York City High Schoolifor the Performing Arts guarantees. Stardom? That's something the school's teenage musicians, actors, dancers and dreamers strive for. Fame sings the body electric, celebrating the growing-up process of honing talent, confronting realities, finding love, living life.
John Boorman's 1985 South American epic never quite gets all of its gears working simultaneously, but it remains an often startling work with an extraordinary performance by the director's own son, Charley Boorman. Powers Boothe plays an American engineer working on a dam project in Brazil. When his young son is seemingly absorbed one day into the dense perils and beauty of the Amazon rain forest, Boothe's character goes on a protracted, 10-year search for him.
A Fistful of Dollars launched the spaghetti Western and catapulted Clint Eastwood to stardom. Based on Akira Kurosawa's 1961 samurai picture Yojimbo, it scored a resounding success (in Italy in 1964 and the U.S. in 1967), as did its sequels, For a Few Dollars More and The Good, the Bad and the Ugly. The advertising campaign promoted Eastwood's character--laconic, amoral, dangerous--as the Man with No Name (though in the film he's clearly referred to as Joe), and audiences loved the movie's refreshing new take on the Western genre.
Eliot Asinof's detailed book Eight Men Out illustrates how the system of American sports collapsed in 1919, the year the Chicago White Sox threw the World Series. Filmmaker John Sayles worked on his script years before the 1988†film (or before he had the rights to make the film) as a labor of love. Sayles's adaptation proves one can make a historically accurate film in the day and age of artistic license. And what a story. Although many know about the "Black Sox," made famous--again--in the 1989 hit film Field of Dreams, the details of the saga are far less known.
It's Awesome! Totally Awesome! Fast times at Ridgemont High, directed by Amy Heckerling (Clueless), is simply a modern cult classic. First-time screenwriter Cameron Crowe (Jerry Maguire), went undercover as a high school student and came back with the straight dope on sex, drugs, and rock 'n' roll, while capturing some of the most memorable screen characters ever.
Twenty-five years following his untimely death, Bruce Lee remains the movies' supreme martial-arts star. And Enter The Dragon, fully restored, in stereo for the first time and containing 3 minutes not included in the original U.S. theatrical release, stands the test of time as the most popular martial-arts epic in film history. This 25th anniversary edition also includes Bruce Lee: In His Own Words, sharing film, video and audio material from the Lee family archives with fans for the first time ever!
