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You wouldn't think a movie that uses the game of golf as a metaphor for class struggle could be so entertaining. The Greatest Game Ever Played stars the charming Shia LaBeouf (Holes) as Francis Ouimet, a golfer who, in 1913, rose from caddy to U.S. Open champion at the age of 20--despite the resistance of the powers that be, who thought it unseemly for a lower-class plebian to play the sport of gentlemen. Ouimet's main competitor is Harry Vardon (Stephen Dillane, The Hours), a British professional, still considered one of the greatest players of all time, who fought his own class battles.

After the tight plotting and quirky intensity of Fargo, this casually amusing follow-up from the prolifically inventive Coen (Ethan and Joel) brothers seems like a bit of a lark, and the result was a box-office disappointment. The good news is, The Big Lebowski is every bit a Coen movie, and its lazy plot is part of its laidback charm. After all, how many movies can claim as their hero a pot-bellied, pot-smoking loser named Jeff "The Dude" Lebowski (Jeff Bridges) who spends most of his time bowling and getting stoned?

The traditions of old-fashioned melodrama are given a hip facelift in this homage to the Brill Building era (the late 1950s to the early 1970s) of pop-music glory, providing a perfect match between writer-director Allison Anders and her excellent cast. Illeana Douglas plays a singer-songwriter (loosely modeled after Brill recording artist Carole King) whose life runs emotionally parallel to popular music trends. John Turturro is a stand-in for "wall of sound" producer Phil Spector and Matt Dillon is a thinly disguised version of maverick Beach Boy Brian Wilson.

The North American anti-terrorist force Team America attacks a group of terrorist in Paris. Later, the leader of the organization, Spottswoode, invites the famous Broadway actor Gary Johnston to join his world police and work undercover in Cairo in a terrorist organization and disclose their plan of destroying the world. The Team America destroy the cell of terrorists, but then the Panama Canal is attacked by the criminals as a payback. Gary feels responsible for the death of many innocents and leaves the counter-terrorism organization.

Tailors are the secret-keepers of the power elite; customize fine apparel for the rich and powerful, and you'll hear things only whispered in the halls of government. Such is the sly conceit of The Tailor of Panama, coadapted by John le CarrÈ from his own novel, and directed by John Boorman with a delicious spin on the traditions of the spy genre. As British MI-6 agent Andy Osnard, Pierce Brosnan qualifies as James Bond's black-sheep sibling, viewing women only in terms of sexual conquest and conducting spy business by his own flexible set of rules.

As the saying goes, Aaron Eckhart was born to play Nick Naylor, the 30-something "voice of Big Tobacco" in this brazen satire of corporate profits and what lobbyists will do to protect them. Right from the opening, Eckhart is in spin mode, turning the tables on a popular talk show when he states health officials want a young teen stricken by cancer to die more than big tobacco does, since the boy would be a martyr to them, but only a single lost customer to the industry. Audiences gasp, panelists guffaw, and the kid happily shakes Nick's hand.

Boris Karloff is wonderfully creepy as Sax Rohmer's evil genius, Dr. Fu Manchu. It would not be the last time Karloff played a Chinese, as he later starred as Mr. Wong in Monogram's low budget detective series later in the decade. The plot concerns a race between good guy Lewis Stone and Fu Manchu to find the tomb of Ghengis Khan. If Fu Manchu gets there first he will possess the magical relics placed there which, in turn, will allow him to enslave the world. Look for a young Myrna Loy in a delightful turn as Fu's diabolical, and scantily-clad, daughter.

Volunteers from all branches of the Allied forces made up the Australian 2 Special Force Unit, which carried out a total of 284 missions during World War II. Tight, suspenseful Attack Force Z effectively dramatizes one such sortie. Five tough commandos attempt to rescue the survivors of a downed American plane on a Japanese-held island in the southwest Pacific. Their leader is Captain P.G. Kelly, played by a youthful Mel Gibson. It's Kelly's first time in charge, and his fellow commandos, especially renegade Lieutenant J.A.

A good early effort by Michael Curtiz concerning the "Moon Killer" murders in which the victims are strangled, cannibalized and surgically dissected under the light of the full moon. Wise-cracking reporter Lee Tracy traces the clues to a spooky seaside mansion, where Dr. Xavier (Lionel Atwill) and his colleagues are conducting strange experiments. Made in early two-strip Technicolor, the film is wonderfully atmospheric, and the sets themselves will linger in your mind. Aside from the irritating Lee Tracy as reporter Lee Taylor, the acting is crisp and to the point.

When the Devil (Peter Cook) offers suicidal short-order cook Stanley (Dudley Moore) seven wishes, Stanley easily surrenders his soul. All of his wishes are granted, to the letter. Unfortunately, as each wish comes to life, the Devil--cheeky sod!--manages to slip some unexpected problem into the mix, ruining everything in a deliciously funny way. Bedazzled was made long before 10 and Arthur made Dudley Moore an unlikely movie star.