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Some comedy is like a scalpel; the Scary Movie series is a hand grenade, spewing bodily fluids and big-breasted women in all directions as they lampoon the latest horror. In Scary Movie 4's case, the main targets are War of the Worlds, The Village, The Grudge, Saw, and Tom Cruise jumping all over Oprah's couch (the scariest of the lot). Along the way, potshots get taken at non-horror fare like Brokeback Mountain and Million Dollar Baby, as well as obvious targets like Michael Jackson and George W. Bush, among others.

Luscious cinematography and even more luscious stars make Tristan & Isolde a feast for the eyes. Adapted from the medieval love story, the movie begins with with young Tristan (played as a child by Thomas Sangster, Love Actually) as he sees his parents killed by the tyrannical Irish, who ruled over a fractured Britain after the Roman occupation.

In the aftermath of the World Trade Center disaster, hope is still alive. Refusing to bow down to terrorism, rescuers and family of the victims press forward. Their mission of rescue and recovery is driven by the faith that under each piece of rubble, a co-worker, a friend a family member may be found. This is the true story of John McLoughlin and William J. Jimeno, two of the last survivors extracted from Ground Zero and the rescuers who never gave up.

The exotic sounds, vibrant colors, and ecstatic dancing of Bollywood collide with the cunning storytelling of Jane Austen in Bride & Prejudice (from the writer/director of previous East/West hybrid Bend It Like Beckham). When smart, outspoken Lalita Bakshi (Indian beauty Aishwarya Rai) meets Will Darcy (Martin Henderson, The Ring), she finds this American businessman arrogant and conceited--but because his best friend is falling in love with her sister, Lalita agrees to travel around India with Darcy.

Sean Penn gives another powerhouse performance in All the King's Men, leading a topnotch cast in writer-director Steven Zaillian's underrated adaptation of the Pulitzer prize-winning 1946 novel by Robert Penn Warren. When you consider that the previous 1949 film version earned well-deserved Academy Awards for director Robert Rossen and actors Broderick Crawford and Mercedes McCambridge, it's no surprise that Zaillian's film was expected to earn similar acclaim, but lukewarm critical reception and disappointing box-office gave it the stigma of a noble failure.

A movie that exudes affection and goodwill, The World's Fastest Indian is an unabashed mash note to a lovely character from New Zealand's recent past. Burt Munro, played by Anthony Hopkins, is a cantankerous Kiwi with an obsession: he's been tinkering with his 1920s-era Indian brand motorcycle for years, pushing it to ever-faster speeds. It's the 1960s, and Burt has the utterly mad idea of taking the bike to the Bonneville Salt Flats in Utah, site of world records for speed racing.

After dominating the teen-movie genre for the bulk of the 1980s, writer-producer (and sometimes director) John Hughes proved that he had at least one good movie left in him before squandering his talent on lame comedies throughout the 1990s. Like The Breakfast Club and Pretty in Pink, Some Kind of Wonderful treated its teenaged characters like real people with real feelings, hopes, fears, and desire.

Light and charming, Scoop blends murder, ghosts, and falling in love. While inside of a magician's magic cabinet, aspiring journalist Sondra Pransky (Scarlett Johansson, Lost in Translation) is visiting by the ghost of a dead reporter (Ian McShane, Deadwood) who has gotten a hot tip in the afterlife: A rising young politician named Peter Lyman (Hugh Jackman, X-Men) may be the notorious serial killer who leaves tarot cards by his victims.

It's not Blazing Saddles, but there are some chuckles to be found in Mel Brooks's 1993 spoof of the Robin Hood legend. Cary Elwes is Robin (with a lighthearted jab at Kevin Costner's bad English accent in Robin Hood: Prince of Thieves), while Richard Lewis plays an angst-ridden King John, and Roger Rees a snotty Sheriff of Nottingham. Comic David Chappelle has some good moments as the only black member of Robins's noble thieves, and Brooks does his own spin on Friar Tuck: Rabbi Tuchman.

The Promise came to American shores with endless hype about its visual splendor--and for once, the hype is deserved. Lush and luminous, almost every shot will make you want to weep from its sheer loveliness. A starving young orphan girl named Qingcheng is offered a deal by a capricious goddess: The girl will be staggeringly beautiful and have all the wealth, delicious food, and fabulous clothing she could ask for--but every man she ever loves will die.