Oscar Nominee: Best Actress In A Supporting Role

Poignant, romantic, and mesmerizing, writer/director Woody Allen's latest masterpiece centers around Jasmine (Cate Blanchett), a former New York socialite teetering on an emotional tightrope, balancing between her troubled east coast past and a fresh start in San Francisco. Having moved into her sister's humble apartment, Jasmine ricochets between the tumultuous acceptance of her new limitations, and the dreams of reclaiming her past life's glamour. Join a powerful cast for an intimate portrayal of the battle between fantasy and reality which rages within us all.

I was born under unusual circumstances.' And so begins The Curious Case of Benjamin Button adapted from the 1920s story by F. Scott Fitzgerald about a man who is born in his eighties and ages backwards: a man like any of us who is unable to stop time. We follow his story set in New Orleans from the end of World War I in 1918 into the 21st century following his journey that is as unusual as any man's life can be. Directed by David Fincher and starring Brad Pitt and Cate Blanchett with Taraji P.

A fast-paced, beautifully executed film, The Rebel works hard at being an epic martial arts picture set in 1920's French-occupied Vietnam. While that may sound like a bit much, director Truc Charlie Nguyen does a formidable job creating a plausible scenario with some awesome fighting sequences. While not quite epic, the film is spot on as an action thriller.

From the producer of Superbad, Knocked-Up and The 40-Year-Old Virgin comes the breakout comedy critics are calling "brazenly hysterical!" (Alynda Wheat, People) Thirty-something Annie (Kristin Wiig) has hit a rough patch but finds her life turned completely upside down when she takes on the Maid of Honor role in her best friend Lillian's (Maya Rudolph) wedding. In way over her head but determined to succeed, Annie leads a hilarious hodgepodge of bridesmaids (Rose Byrne, Melissa McCarthy, Wendi McLendon-Covey and Ellie Kemper) on a wild ride down the road to the big event.

Michael Oher (Quinton Aaron) knows little about family. Less about football. What the homeless teen knows are the streets and projects of Memphis. Well-to-do Leigh Anne Tuohy (Sandra Bullock) knows little about his world. Yet when she and Michael meet, he's found a home. And the Tuohys have found something just as life-changing: a beloved new son and brother. This real-life story of family and of Michael's growth into a blue-chip football star will have you cheering with its mix of gridiron action and heartwarming emotion.

Ranked 34 on the American Film Institute's list of the 100 Greatest American Films, To Kill a Mockingbird is quite simply one of the finest family-oriented dramas ever made. A beautiful and deeply affecting adaptation of the Pulitzer Prize-winning novel by Harper Lee, the film retains a timeless quality that transcends its historically dated subject matter (racism in the Depression-era South) and remains powerfully resonant in present-day America with its advocacy of tolerance, justice, integrity, and loving, responsible parenthood.

Ah, Barbra. Of all her onscreen personas, she sparkles in none as she does in her role as 1930s comedian Fanny Brice in the musical Funny Girl. Portraying the life of this star of stage and radio, Brice preens and prances and sings, captivating her audience both onscreen and off. Fanny Brice started life on the Lower East Side of New York, the daughter of a Jewish saloon owner. Not the prettiest girl around, Brice still managed to quickly rise to stardom as a performer in the Ziegfield Follies.

One of Woody Allen's best films of the '90s, Bullets over Broadway stars John Cusack as a virtual Woody surrogate, a neurotic, Jazz Age writer whose new play sounds wooden and unrealistic to a low-level mobster (Chazz Palminteri) assigned to watch over his boss's actress-girlfriend (Jennifer Tilly). When the hood starts contributing better story ideas and dialogue than what the official playwright can conjure, questions (not unlike those of Amadeus) about the price we pay to make art at the expense of other responsibilities are intriguingly raised.

Up in the Air transforms some painful subjects into smart, sly comedy--with just enough of the pain underneath to give it some weight. Ryan Bingham (George Clooney) spends most of his days traveling around the country and firing people; he's hired by bosses who don't have the nerve to do their layoffs themselves. His life of constant flight suits him--he wants no attachments.

"Be Italian!" comes the thundering command from one of the catchiest songs in Nine, and the movie version of this Broadway musical hit is undeniably solid on that point. It's drenched in cool cars, glamorous Italian threads, and cozy Roman neighborhoods, all circa 1962. That, you will note, is the vintage of Federico Fellini's classic film 8 ¬Ω, the source for both the stage show and Rob Marshall's frantic musical picture.