Steven Spielberg, proving he's one of the few modern filmmakers who has the visual fluency to be capable of making a great silent film, took a melodramatic, D.W. Griffith-inspired approach to filming Alice Walker's novel. His tactics made the film controversial, but also a popular hit.
Two cultures collide in this vast, lavish and truly spectacular film. Adapted from James A. Michener's Pulitzer Prize-winning novel and nominated for seven Oscars, this "majestic, gorgeously framed epic" is "adventuresome picture-making, a credit to the industry" (The Film Daily) and riveting entertainment. They came to bring God, but instead brought disease and destruction. The Rev.
Four extremely beautiful people do extremely horrible things to one another in Closer, Mike Nichols' pungent adaptation of Patrick Marber's play that easily marks the Oscar-winning director's best work in years. Anna (Julia Roberts) is a photographer who specializes in portraits of strangers; Dan (Jude Law) is an obituary writer struggling to become a novelist; Alice (Natalie Portman) is an American stripper freshly arrived in London after a bad relationship; and Larry (Clive Owen) is a dermatologist who finds love under the most unlikely of circumstances.
Nominated for 6 Academy Awards, director Mike Nichols' witty, romantic look at life in the corporate jungle stars Melanie Griffith as Tess McGill, an ambitious secretary with a unique approach for climbing the ladder to success. When her classy, but villainess boss (Sigourney Weaver) steals her business idea, she seizes an opportunity to steal it back by pretending she has her boss's job, taking over her office, her apartment, even her wardrobe.
Blake Edwards's delightful Victor/Victoria may be one of the last of the great, old-style movie musical comedies--it is so good, it was turned into a hit Broadway stage musical years later. And both versions starred Edwards's wife Julie Andrews (the former Mary Poppins) in the title role--as Victor and Victoria. She's a down-and-out singer who hooks up with a flamboyantly gay theatrical veteran (Robert Preston), and together they become the toast of 1934 Paris by dreaming up a provocative nightclub act in which Victoria assumes the identity of a man in drag.
One of the touchstone movies of the 1980s, Tootsie stars Dustin Hoffman as an out-of-work actor who disguises himself as a dowdy, middle-aged woman to get a part on a hit soap opera. The scheme works, but while he/she keeps up the charade, Hoffman's character comes to see life through the eyes of the opposite sex. The script by Larry Gelbart (with Murray Schisgal) is a winner, and director Sydney Pollack brings taut proficiency to the comedy and sensitivity to the relationship nuances that emerge from Hoffman's drag act.
Taxi Driver is the definitive cinematic portrait of loneliness and alienation manifested as violence. It is as if director Martin Scorsese and screenwriter Paul Schrader had tapped into precisely the same source of psychological inspiration ("I just knew I had to make this film," Scorsese would later say), combined with a perfectly timed post-Watergate expression of personal, political, and societal anxiety.
Nothing on earth can rival the epic spectacle and breathtaking grandeur of Titanic, the sweeping love story that sailed into the hearts of moviegoers around the world, ultimately emerging as the most popular motion picture of all time. Leonardo DiCaprio and Oscar nominee Kate Winslet light up the screen as Jack and Rose, the young lovers who find one another on the maiden voyage of the "unsinkable" R.M.S. Titanic. But when the doomed luxury liner collides with an iceberg in the frigid North Atlantic, their passionate love affair becomes a thrilling race for survival.
Private Benjamin's immovable object is pampered Judy Benjamin, a wedding night widow. The irresistible force is a three-year, expense-paid hitch in the U.S. Army. What's Judy doing in combat boots and fatigues? A recruiter seductively describes today's "new Army" and gullible Judy takes the bait. Goldie Hawn is a private first class in her Oscar-nominated role of Judy, a fish-out-of-water coming of age via the rigors of basic training and a European assignment.
For Norman and Ethel Thayer, this summer On Golden Pond is filled with conflict and resolution. When their daughter Chelsea (Jane Fonda) arrives, the family is forced to renew the bonds of love and overcome the generational friction that has existed for years. Norman (Henry Fonda) must find his way through his anger and fear of growing old, while Chelsea struggles to rebuild their relationship. Ethel's (Katharine Hepburn) consistent support of her "knight in shining armor" is inspirational in its simplicity. This is a movie to ponder and always keep in your heart.
