Oscar Nominee: Best Director

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Oscar Nominee

Broadway Danny Rose

Often overlooked, Broadway Danny Rose has developed a cult following among select Woody Allen fans; Chris Rock, of all people, says it's one of his favorite films. Allen plays a devoted talent agent for acts whose talent is, shall we say, marginal. But one of his clients, a faded singer named Lou Canova (Nick Apollo Forte), suddenly has a chance to perform for a record executive. Nervous, Canova insists that Rose bring his girlfriend to the show--unfortunately, his girlfriend is Tina Vitale (Mia Farrow), the wife of a big-time mobster.

Breaking Away

When top-notch cyclist Dave (Dennis Christopher) learns that the world's bicycling champions are always Italian, he attempts to turn himself into an Italian, driving his parents (Barbara Barrie, Paul Dooley) crazy. But everything changes after he meets the Italian racing team-an encounter that ultimately leads him and his friends (Dennis Quaid, Daniel Stern, Jackie Earle Haley) to challenge the local college boys in the town's annual bike race.

American Graffiti

This Academy Award-nominated classic, voted one of the American Film Institute's top 100 Films Of All Time, features the coming-of-age of four teenagers on their last summer night before college. Rediscover drag racing, Inspiration Point and drive-ins all over again in this nostalgic look back at the early '60s. The incredible soundtrack brings you the most memorable rock 'n' roll hits of the era.Directed by George Lucas and produced by Francis Ford Coppola, this classic stars Harrison Ford, Richard Dreyfuss, Ron Howard, Suzanne Somers, Cindy Williams, Wolfman Jack and Mackenzie Phillips.

Apocalypse Now

In the tradition of such obsessively driven directors as Erich von Stroheim and Werner Herzog, Francis Ford Coppola approached the production of Apocalypse Now as if it were his own epic mission into the heart of darkness. On location in the storm-ravaged Philippines, he quite literally went mad as the project threatened to devour him in a vortex of creative despair, but from this insanity came one of the greatest films ever made.

All That Jazz

Choreographer-turned-director Bob Fosse (Cabaret, Lenny) turns the camera on himself in this nervy, sometimes unnerving 1979 feature, a nakedly autobiographical piece that veers from gritty drama to razzle-dazzle musical, allegory to satire. It's an indication of his bravura, and possibly his self-absorption, that Fosse (who also cowrote the script) literally opens alter ego Joe Gideon's heart in a key scene--an unflinching glimpse of cardiac surgery, shot during an actual open-heart procedure.

All The President's Men

In the Watergate Building, lights go on and four burglars are caught in the act. That night triggered revelations that drove a U.S. President from office. Washington reporters Bob Woodward (Robert Redford) and Carl Bernstein (Dustin Hoffman) grabbed the story and stayed with it through doubts, denials, discouragement. All The President's Men is their story. Directed by Alan J. Pakula and based on the Woodward/Bernstein book, the film won four 1976 Academy Awards: Best Supporting Actor/Jason Robards, Adaptation Screenplay, Art Direction and Sound.

2001: A Space Odyssey

When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001: A Space Odyssey is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution.

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