Nominated for 6 Academy Awards, director Mike Nichols' witty, romantic look at life in the corporate jungle stars Melanie Griffith as Tess McGill, an ambitious secretary with a unique approach for climbing the ladder to success. When her classy, but villainess boss (Sigourney Weaver) steals her business idea, she seizes an opportunity to steal it back by pretending she has her boss's job, taking over her office, her apartment, even her wardrobe.
One of the touchstone movies of the 1980s, Tootsie stars Dustin Hoffman as an out-of-work actor who disguises himself as a dowdy, middle-aged woman to get a part on a hit soap opera. The scheme works, but while he/she keeps up the charade, Hoffman's character comes to see life through the eyes of the opposite sex. The script by Larry Gelbart (with Murray Schisgal) is a winner, and director Sydney Pollack brings taut proficiency to the comedy and sensitivity to the relationship nuances that emerge from Hoffman's drag act.
He's the star of the show - but he doesn't know. Jim Carrey wowed critics and audiences alike as unwitting Truman Burbank in this marvel of a movie from director Peter Weir about a man whose life is a nonstop TV show. Truman doesn't realize that his quaint hometown is a giant studio set run by a visionary producer/director/creator (Harris), that folks living and working there are Hollywood actors, that even his incessantly bubbly wife is a contract player. Gradually, Truman gets wise.
The Jedi Knights have been exterminated and the Empire rules the galaxy with an iron fist. A small group of Rebels have dared to fight back by stealing the secret plansito the Empire's mightiest weapon, the Death Star battle station. The Emperor's most trusted servant, Darth Vader, must find the plans, and locate the hidden Rebel base. Princess Leia, a captive Rebel leader, sends out a distress signal that is intercepted by a simply farm boy, Luke Skywalker.
The "lost" sleeper hit of 1980 has since become one of the most revered cult movies of all time, largely due to its bawdy, irreverent story about the art and artifice of filmmaking and an outrageously clever performance by Peter O'Toole. As megalomaniacal film director Eli Cross, O'Toole plays a larger-than-life figure whose ability to manipulate reality is like a power-trip narcotic. The focus of his latest mind game is a fugitive (Steve Railsback) recruited to replace a stuntman killed during a recent on-set accident.
One of the most endearing and intelligent romantic comedies of the '90s, the Oscar-winning Shakespeare in Love is filled with such good will, sunny romance, snappy one-liners, and devilish cleverness that it's absolutely irresistible. With tongue placed firmly in cheek, at its outset the film tracks young Will Shakespeare's overwrought battle with writer's block and the efforts of theater owner Philip Henslowe (Geoffrey Rush, in rare form) to stage Will's latest comedy, Romeo and Ethel, the Pirate's Daughter.
At last--a great American movie available on video for the first time in its original aspect ratio. For all the slasher pictures that have ripped off Psycho (and particularly its classic set piece, the "shower scene"), nothing has ever matched the impact of the real thing. More than just a first-rate shocker full of thrills and suspense, Psycho is also an engrossing character study in which director Alfred Hitchcock skillfully seduces you into identifying with the main characters--then pulls the rug (or the bathmat) out from under you.
Confined to his small courtyard apartment by a broken leg, photojournalist L.B. Jeffries (James Stewart) passes the time between visits from his nurse (Thelma Ritter) and his girlfriend Lisa (Grace Kelly) by watching his neighbors with his binoculars through the rear window of his room. When Jeffries thinks he sees one of his neighbors murder his invalid wife and dispose of her body, he convinces Lisa to investigate. One of Alfred Hitchcock's greatest masterpieces of suspense.
For Norman and Ethel Thayer, this summer On Golden Pond is filled with conflict and resolution. When their daughter Chelsea (Jane Fonda) arrives, the family is forced to renew the bonds of love and overcome the generational friction that has existed for years. Norman (Henry Fonda) must find his way through his anger and fear of growing old, while Chelsea struggles to rebuild their relationship. Ethel's (Katharine Hepburn) consistent support of her "knight in shining armor" is inspirational in its simplicity. This is a movie to ponder and always keep in your heart.
uperior acting, writing, and direction are on impressive display in the critically acclaimed Mystic River, Clint Eastwood's 24th directorial outing and one of the finest films of 2003. Sharply adapted by L.A. Confidential Oscar-winner Brian Helgeland from the novel by Dennis Lehane, this chilling mystery revolves around three boyhood friends in working-class Boston--played as adults by Tim Robbins, Sean Penn, and Kevin Bacon--drawn together by a crime from the past and a murder (of the Penn character's 19-year-old daughter) in the present.
