Carrie-Anne Moss

Despite the inevitable law of diminishing returns, The Matrix Revolutions is quite satisfying as an adrenalized action epic, marking yet another milestone in the exponential evolution of computer-generated special effects. That may not be enough to satisfy hardcore Matrix fans who turned the Wachowski Brothers' hacker mythology into a quasi-religious pop-cultural phenomenon, but there's no denying that the trilogy goes out with a cosmic bang instead of the whimper that many expected.

Considering the lofty expectations that preceded it, The Matrix Reloaded triumphs where most sequels fail. It would be impossible to match the fresh audacity that made The Matrix a global phenomenon in 1999, but in continuing the exploits of rebellious Neo (Keanu Reeves), Morpheus (Laurence Fishburne), and Trinity (Carrie-Anne Moss) as they struggle to save the human sanctuary of Zion from invading machines, the codirecting Wachowski brothers have their priorities well in order.

Perception: Our day-in, day-out world is real. Reality: That world is a hoax, an elaborate deception spun by all-powerful machines of artificial intelligence that control us. Whoa. Mind-warp stunts. Techno-slammin' visuals. Mega-kick action. Keanu Reeves and Laurence Fishburne lead the fight to free humankind in The Matrix, the see-and-see-again cyberthriller written and directed by the Wachowski brothers (Bound). The story sears, the special effects stake out new moviemaking territory - the movie flat-out rocks.

With movies like Chocolat, it's always best to relax your intellectual faculties and absorb the abundant sensual pleasures, be it the heart-stopping smile of chocolatier Juliette Binoche as she greets a new customer, an intoxicating cup of spiced hot cocoa, or the soothing guitar of an Irish gypsy played by Johnny Depp.