As a pleasant dose of holiday cheer, The Holiday is a lovable love story with all the Christmas trimmings. In the capable hands of writer-director Nancy Meyers (making her first romantic comedy since Something's Gotta Give), it all begins when two successful yet unhappy women connect through a home-swapping website, and decide to trade houses for the Christmas holiday in a mutual effort to forget their man troubles.
Girl power (or if you prefer, woman power) gets a goofy boost in My Super Ex-Girlfriend, a breezy rom-com that's as fun as it is forgettable. As devised by former Simpsons writer Don Payne and directed by comedy veteran Ivan (Ghostbusters) Reitman, the premise is certainly promising, and much of that promise is gamely fulfilled.
Writer/director Ol Parker's debut takes its title from "Happy Together" by the Turtles ("Imagine me and you / and you and me") and its inspiration from the romantic comedies of Richard Curtis (Love Actually). There's a twist. Flower shop owner Luce (Lena Headey, The Brothers Grimm) is gay. Newlywed Rachel (a convincingly UK-accented Piper Perabo, Lost and Delirious) is straight. The two meet at Rachel's wedding--Luce designed the floral arrangements--and feel an instant connection. Rachel brushes it off.
Beerfest is the kind of zany time-killer that's a lot funnier if you're within reach of a six-pack and Doritos. In other words, this is yet another low-brow laff-a-thon from the Broken Lizard gang (Super Troopers) that's likely to draw a bigger audience on DVD than it did in theaters, especially since there's a lot of duds (and flat suds) to sit through while waiting for the next big beer-belly-laugh.
Xavier is back! We find him 5 years after L'auberge Espagnole, he is now thirty years old. An aspiring novelist, his greatest achievement is a co-credit on an over the top TV soap and his romantic life is equally disappointing. He has one meaningless romantic encounter after another and lines up a confusing series of jobs related to writing. A chance meeting could be the answer to his career and love life but Xavier's lack of direction and will power threatens to turn his good fortune to ultimate heartbreak.
Eric Roberts, young, charming, and handsome, does a rare comic turn as an American Coca-Cola executive with a honeyed Georgia drawl sent Down Under in this congenial little Australian comedy. As the zealous, unfailingly polite eccentric declares economic war on a veritable back-country feudal lord who runs his own steam-powered soda plant (Bill Kerr), Robertsís enchantingly goofy secretary (Greta Scacchi) plots a campaign of seduction that includes a Santa suit that explodes in an orgiastic blizzard of feathers.
An absolute delight, L'Auberge Espagnole captures a moment in a life, seemingly about nothing and everything all at once. Xavier (Romain Duris), a young Parisian not sure what his life is about, decides to spend a year in Barcelona studying economics--leaving behind his unhappy girlfriend (Audrey Tautou, AmÈlie) but joining an international mix of students in a hectic, crowded apartment.
Director Peter Bogdanovich started off the 1980s with this trifle: a sweet romantic valentine to a New York City where bumbling detectives fall in love with their targets. This is a Big Apple where country music blares, taxi drivers are gorgeous models, sass permeates, and Ben Gazzara embodies all that is cool. He is the chief hound in the blue-collar Odyssey Detective Agency specializing in observing wives for their suspicious husbands.
Though she made her first movie at the age of 13, Diane Lane has only blossomed into a true star in her 30s, and Under the Tuscan Sun marks her full flowering. After a brutal divorce, Frances (Lane, Unfaithful, A Walk on the Moon) is persuaded by her friend Patti (Sandra Oh) to take a tour of Italy--where, on a whim that she hopes will rescue her from her desperate unhappiness, she buys a rundown villa and sets out to renovate it. Along the way, she gets advice from a former Fellini actress, meets a scrumptious Italian lover, and helps support Patti after her own relationship derails.
In olden days, as Cole Porter famously observed, a mere glimpse of stocking was looked on as something shocking. So it's heartening to report that this 1965 black comedy still delivers on its billing as "the motion picture with something to offend everyone." Tony Richardson, fresh off the liberating Tom Jones, brings Evelyn Waugh's self-described "little nightmare" to the screen with all its sacrilegious shocks (and then some!) intact, courtesy of screenwriters Terry Southern (Dr. Strangelove) and Christopher Isherwood.
