Ever dream of inheriting unlimited wealth? Simple Italian auto mechanic Guido Falcone (Terrence Hill) has just inherited a billion dollar financial empire from his late uncle. To claim it, he must arrive in San Francisco within twenty days. What could be simpler? But along the way Guido is kept hopping by a strange mix of allies and enemies as he travels by every mode of transportation imaginable.
Half of the characters in this 1988 John Landis potboiler seem to be played either by Eddie Murphy or costar Arsenio Hall, swaddled in elaborate Rick Baker makeup appliances that render them unrecognizable but also weirdly immobile. As a pampered African prince who journeys incognito to Queens, New York, to find a bride who will love him just for himself, Murphy manages to look smug and naive at the same time.
Professional tennis makes an unlikely but surprisingly effective backdrop for a lively romantic comedy in Wimbledon. Peter Cort (Paul Bettany, Master and Commander), once ranked 11th in the world, has slipped to 119th and is heading into his last Wimbledon tournament when he runs into Lizzie Bradbury (Kirsten Dunst, The Virgin Suicides, Spider-Man), a rising star. The two strike up a whirlwind romance that gives his game new life--but she insists it's going to be nothing but a passing fling.
Will Farrell followed up his star-making vehicle Elf, which matched his fine-tuned comic obliviousness to a sweet sincerity, with a more arrogant variation on the same character: Ron Burgundy, a macho, narcissistic news anchor from the 1970s.
How's this for impressive trivia: Dodgeball faced off against The Terminal in opening-weekend competition, and 29-year-old writer-director Rawson Marshall Thurber aced Steven Spielberg by a score of $30 to $18.7 in box-office millions.
Jennifer Garner glows like a rising star in 13 Going On 30, a girly version of the Tom Hanks classic Big. Jenna (Garner, Alias, Daredevil), a frustrated teenage girl, just wants to skip past all those annoying adolescent years and arrive at a glamorous adulthood--and thanks to some inexplicable wishing dust, she does.
Meet the Parents found such tremendous success in the chemistry produced by the contrasting personalities of stars Robert De Niro and Ben Stiller that the film's creators went for broke with the same formula again in Meet the Fockers. This time around, Jack and Dina Byrnes (De Niro and Blythe Danner) climb into Jack's new kevlar-lined RV with daughter Pam (Teri Polo), soon-to-be son-in-law Gaylord (Stiller), and Jack's infant grandson from his other daughter for the trip to Florida to meet Gaylord's parents, Bernie and Roz Focker (Dustin Hoffman and Barbra Streisand in a casting coup).
With Sideways, Paul Giamatti (American Splendor, Storytelling) has become an unlikely but engaging romantic lead. Struggling novelist and wine connoisseur Miles (Giamatti) takes his best friend Jack (Thomas Haden Church, Wings) on a wine-tasting tour of California vineyards for a kind of extended bachelor party.
If you've never enjoyed Alec Guinness in the classic 1955 British comedy that inspired it, the Coen brothers' remake of The Ladykillers may well prove hilarious. For starters, it's got Tom Hanks in a variation of the Guinness role, eccentrically channeling Colonel Sanders, Tennessee Williams, and Edgar Allan Poe in his southern-fried performance as Prof. Goldthwait Higgins Dorr, Ph.D.
Jude Law's Alfie, much like Michael Caine's Alfie in the 1966 original, is what you'd call an unrepentant womanizer. He beds 'em but never weds 'em, and New York provides ample opportunity to continue the process--until reality slaps him in the face. Because Jude Law is, well, Jude Law, you can see why he gets away with it as long as he does, and the actor also pulls off the usually awkward trick of narrating directly to the camera. Neither his Alfie, however, nor director Charles Shyer's remake emerges completely without scratches.
