A sleeper hit when released in 1986, Stand by Me is based on Stephen King's novella "The Body" (from the book Different Seasons); but it's more about the joys and pains of boyhood friendship than a morbid fascination with corpses. It's about four boys ages 12 and 13 (Wil Wheaton, River Phoenix, Corey Feldman, Jerry O'Connell) who take an overnight hike through the woods near their Oregon town to find the body of a boy who's been missing for days.
Soul Food is the kind of movie that seems to have been blessed throughout its low-budget production, and it's got a quality of warmth and charm that fits perfectly with its authentic drama about a large African-American family in Chicago. Twenty-eight-year-old writer-director George Tillman Jr.
The sunny streets of Brooklyn, just after World War II. A young would-be writer named Stingo (Peter MacNicol) shares a boarding house with beautiful Polish immigrant Sophie (Meryl Streep) and her tempestuous lover, Nathan (Kevin Kline); their friendship changes his life. This adaptation of the bestselling novel by William Styron is faithful to the point of being reverential, which is not always the right way to make a film come to life. But director Alan J.
Somewhere In Time is the story of a young writer who sacrifices his life in the present to find happiness in the past, where true love awaits him. Young Richard Collier (Christopher Reeves) is approached by an elderly woman who gives him an antique gold watch and who pleads with him to return in time with her. Years later, Richard Collier is overwhelmed by a photograph of a beautiful young woman (Jane Seymour). Another picture of this woman in her later years reveals to him that she is the same woman who had given him a gold watch.
After the breezy successes of Grease and The Blue Lagoon, director Randal Kleiser made what can only be described as one of the greatest guilty-pleasure movies of all time. Summer Lovers is a bubble-brained movie if ever there was one, involving a love triangle between characters who have all the depth of a Calvin Klein commercial; but you don't care because the movie's so irresistibly alluring.
One of the most endearing and intelligent romantic comedies of the '90s, the Oscar-winning Shakespeare in Love is filled with such good will, sunny romance, snappy one-liners, and devilish cleverness that it's absolutely irresistible. With tongue placed firmly in cheek, at its outset the film tracks young Will Shakespeare's overwrought battle with writer's block and the efforts of theater owner Philip Henslowe (Geoffrey Rush, in rare form) to stage Will's latest comedy, Romeo and Ethel, the Pirate's Daughter.
Saturday Night Fever is one of those movies that comes along and seems to change the cultural temperature in a flash. After the movie's release in 1977, disco ruled the dance floors, and a blow-dried member of a TV-sitcom ensemble became the hottest star in the U.S. For all that, the story is conventional: a 19-year-old Italian American from Brooklyn, Tony Manero (John Travolta), works in a humble paint store and lives with his family.
Adapted from the best-selling book by Thomas Keneally and filmed in Poland with an emphasis on absolute authenticity, Spielberg's masterpiece ranks among the greatest films ever made about the Holocaust during World War II. It's a film about heroism with an unlikely hero at its center--Catholic war profiteer Oskar Schindler (Liam Neeson), who risked his life and went bankrupt to save more than 1,000 Jews from certain death in concentration camps. By employing Jews in his crockery factory manufacturing goods for the German army, Schindler ensures their survival against terrifying odds.
Proving that truth is often greater than fiction, the handsome production of Seabiscuit offers a healthy alternative to Hollywood's staple diet of mayhem.
Tony Manero (John Travolta) in Saturday Night Fever and Dirk Diggler (Mark Wahlberg) in Boogie Nights have one major thing in common: They both have posters of Al Pacino as Serpico on their bedroom walls. As the real-life NYPD detective whose integrity cost him virtually everything (and almost cost him his life), Pacino became one of the icons of gritty, realistic 1970s filmmaking.
