A film that chronicles New Orleans district attorney Jim Garrison's investigation into the assassination of President John F. Kennedy. It explores all the credible assassination theories that have raised the nation's persistent questions, doubts and suspicions. Director Oliver Stone added 17 minutes of previously unseen footage for the "director's cut" edition of his hypnotic courtroom epic about the investigation into the assassination of President John F. Kennedy in November 1963.
The story continues of a young man's rites of passage, aided by the knowledge and guidance of his Japanese mentor, who teaches him valuable lessons in life through karate and meditation. In this sequel, Daniel and Miyagi travel to Okinawa and encounter more emotionally charged adventures. Literally picking up about five minutes after the conclusion of the 1984 The Karate Kid, the sequel, also directed by John G.
John G. Avildsen not only directed Rocky, he tried remaking it over the years in a dozen different ways. One of them was this popular 1984 drama about a new kid (Ralph Macchio) in town targeted by karate-wielding bullies until he gets a new mentor: the handyman (Pat Morita) from his apartment building, who teaches him self-confidence and fighting skills. The screen partnership of Macchio's motor-mouth character and Morita's reserved father figure works well, and the script allows for the younger man to develop sympathy for the painful memories of his teacher.
Kreese, the ex-marine whom Miyagi humbled with a few punches and kicks, has never forgotten the bitter taste of defeat. Bankrupt after the first tournament defeat, he's back with a particularly nasty friend and a new trainer--and he's aching to lure Miyagi and Daniel into the fight of their lives. When Daniel decides not to compete in the challenge, he becomes the target of numerous attacks by Kreese and his villainous friends, who will stop at nothing to win the title back.
The life of rock and roll legend Ritchie Valens bursts across the screen in this celebrated, music-filled movie with star-making performances by Lou Diamond Phillips as Richie and Esai Morales as his half-brother, Bob. La Bamba depicts the 17-year-old Mexican-American's rocket rise to fame, from field laborer to rock star with a string of hit singles and a date with destiny.
One of the biggest teases in film history, this film's sensational plot finds a young wife (Demi Moore) solicited for sex by a wealthy bachelor (Robert Redford), for which the latter offers to pay a cool million bucks to her and her underachieving husband (Woody Harrelson). The two accept Redford's deal, and their marriage is ruined. The twist in the film, though, is that the sin doesn't lie with the rich guy, but rather with this unfocused, immature, equivocating couple who would do such a thing, naively believing it would get their lives on track.
After they first worked together on the 1966 film This Property Is Condemned, director Sydney Pollack and Robert Redford continued their long-lasting collaboration with this 1972 drama set during the mid-1800s, about one man's rugged effort to shed the burden of civilization and learn to survive in the wilderness of the Rocky Mountains. Will Geer is perfectly cast as the seasoned trapper who teaches Jeremiah Johnson (Redford) how to survive against harsh winters, close encounters with grizzly bears, and hostile Crow Indians.
Jerry Maguire (Tom Cruise) is a sports agent who is long on ambition but short on scruples. After he suddenly and ceremoniously loses his job and his girlfriend (Kelly Preston), both his personal and professional careers hit an all-time low. But when a single mother (Renee Zellweger) enters his life and his heart, he finds himself negotiating the biggest deal of his life... for the heart and the hand of the woman that he loves. Cuba Gooding, Jr.
An epic adventure and passionate romance unfold against the panorama of a frontier wilderness ravaged by war. Academy Award winner Daniel Day-Lewis (Best Actor in 1989 for My Left Foot) stars as Hawkeye, rugged frontiersman and adopted son of the Mohicans, and Madeleine Stowe is Cora Munro, aristocratic daughter of a proud British colonel. Their love, tested by fate, blazes amidst a brutal conflict between the British, the French and Native American allies that engulfs the majestic mountains and cathedral-like forests of Colonial America.
The rough-edged vitality of contemporary Irish filmmaking is readily apparent in Intermission, a deliriously ambitious black comedy in which 54 characters and 11 plotlines compete for consistently impressive screen-time.
