Drama

A sumptuously mounted and photographed celebration of artful wickedness, betrayal, and sexual intrigue among depraved 18th-century French aristocrats, Dangerous Liaisons (based on Christopher Hampton's Les Liaisons Dangereuses) is seductively decadent fun. The villainous heroes are the Marquise De Merteuil (Glenn Close) and the Vicomte De Valmont (John Malkovich), who have cultivated their mutual cynicism into a highly developed and exquisitely mannered form of (in-)human expression.

As with Grease (1978) and Footloose (1984) before it, Dirty Dancing was a cultural phenomenon that now plays more like camp. That very campiness, though, is part of its biggest charm. And if the dancing in the movie doesn't seem particularly "dirty" by today's standards - or 1987's - it does take place in an era (the early '60s) when it would have. Frances "Baby" Houseman (Jennifer Grey, daughter of ageless hoofer Joel Grey) has been vacationing in the Catskills with her family for many years. Uneventfully.

Kevin Costner's 1990 epic won a bundle of Oscars for a moving, engrossing story of a white soldier (Costner) who singlehandedly mans a post in the 1870 Dakotas, and becomes a part of the Lakota Sioux community who live nearby. The film may not be a masterpiece, but it is far more than the sum of good intentions. The characters are strong, the development of relationships is both ambitious and careful, the love story between Costner and Mary McDonnell's character is captivating.

This visually sumptuous adaptation of the classic French novel of seduction, betrayal, and revenge stars the great Catherine Deneuve (Repulsion, Belle de Jour) as the scheming Madame de Meurteuil, who--to get back at a man who spurned her for a younger woman--persuades her equally amoral friend Valmont (Rupert Everett, My Best Friend's Wedding) to seduce the young woman in question. Thus begins one of the most intricate and hypnotic plots every orchestrated; it's no wonder Les Liaisons Dangereuses has been adapted into film so many times.

The premise of this swinging Vegas picture is enough to carry it over its narrative rough spots. The unluckiest sap on the planet (William H. Macy) is employed as a "cooler" at a casino; his very presence can chill the hot streak of any patron on a roll. He's valued by the old-school manager of the place, a role given a two-fisted, bourbon-swilling incarnation by Alec Baldwin. Macy means to quit, but then he falls for a waitress (the excellent Maria Bello, from Permanent Midnight)--might his luck be changing?

England's finest athletes have begun their quest for glory in the 1924 Olympic Games. Success brings honor to their nation. For two runners, the honor at stake is a personal honor... and their challenge one from within. Winner of four 1981 Academy Awards including Best Picture, Chariots Of Fire is the inspiring true story of Harold Abrahams, Eric Liddell and the team that brought Britain one of its greatest sports victories.

Clint Eastwood stars as Walt Coogan, a soft-spoken, straightforward Arizona lawman who is sent to New York to extradite captured murderer James Ringerman (Don Stroud). Coogan slips up, Ringerman escapes again, and the hunt is on! Coogan's unorthodox law enforcement techniques don't go over too well with frustrated NYC Police Lieutenant McElroy (Lee J. Cobb), who can't decide which is worse... the prisoner or the lawman!

With movies like Chocolat, it's always best to relax your intellectual faculties and absorb the abundant sensual pleasures, be it the heart-stopping smile of chocolatier Juliette Binoche as she greets a new customer, an intoxicating cup of spiced hot cocoa, or the soothing guitar of an Irish gypsy played by Johnny Depp.

A truly perfect movie, the 1942 Casablanca still wows viewers today, and for good reason. Its unique story of a love triangle set against terribly high stakes in the war against a monster is sophisticated instead of outlandish, intriguing instead of garish. Humphrey Bogart plays the allegedly apolitical club owner in unoccupied French territory that is nevertheless crawling with Nazis; Ingrid Bergman is the lover who mysteriously deserted him in Paris; and Paul Heinreid is her heroic, slightly bewildered husband.

Roman Polanski's brooding film noir exposes the darkest side of the land of sunshine, the Los Angeles of the 1930s, where power is the only currency--and the only real thing worth buying. Jack Nicholson is J.J. Gittes, a private eye in the Chandler mold, who during a routine straying-spouse investigation finds himself drawn deeper and deeper into a jigsaw puzzle of clues and corruption. The glamorous Evelyn Mulwray (a dazzling Faye Dunaway) and her titanic father, Noah Cross (John Huston), are at the black-hole center of this tale of treachery, incest, and political bribery.