Drama

In the last 15 years Jack Baker (Jeff Bridges) and Frank Baker (Beau Bridges) have played every hotel and cocktail lounge they could book. But lately business has been off and they decide to hire Susie Diamond (Michelle Pfeiffer), a chain-smoking, hard-talking beauty with a terrific voice. The trio hits the road and they are an instant success. Susie has given the act a touch of class and a lot of sex appeal. Jack secretly yearns to play solo jazz gigs even though Frank wants to keep the group together.

Alfred Hitchcock's final film is understated comic fun that mixes suspense with deft humor, thanks to a solid cast. The plot centers on the kidnapping of an heir and a diamond theft by a pair of bad guys led by Karen Black and William Devane. The cops seem befuddled, but that doesn't stop a questionable psychic (Barbara Harris) and her not overly bright boyfriend (Bruce Dern, in a rare good-guy role) from picking up the trail and actually solving the crime. Did she do it with actual psychic powers? That's part of the fun of Harris's enjoyably ditsy performance.

John Boorman's 1985 South American epic never quite gets all of its gears working simultaneously, but it remains an often startling work with an extraordinary performance by the director's own son, Charley Boorman. Powers Boothe plays an American engineer working on a dam project in Brazil. When his young son is seemingly absorbed one day into the dense perils and beauty of the Amazon rain forest, Boothe's character goes on a protracted, 10-year search for him.

One of the most acclaimed films of the year, The Fast Runner is an extraordinary, triumphant experience. Set amongst the Inuit people of the arctic, the film is a thrilling, passionate story exploring the universal themes of love, revenge and survival. When a small, nomadic community is cursed by an unknown shaman, the curse is still felt years later. Atanarjuat falls in love with Atuat, a woman already promised to the son of the clan's leader. In a fight, she is won by Atanarjuat causing vengeful clan leader Oki to plot to attack Atanarjuat and his brother in their sleep.

These guys were given one last chance to pull off a job without screwing up. Guess what happened? Chicago's biggest mob boss doesn't like being robbed, and he's out for blood. So are the guys whose car got stolen as the gang's getaway vehicle. And then there's the dirty federal agent and the double-dealing crime lord who handed them the assignment. If they get out of this alive, it'll be a miracle. A mob hit starring Harvey Keitel ("Pulp Fiction") and Gerard Depardieu ("The Man in the Iron Mask.")

The legend of Mississippi blues master Robert Johnson has served as a fountainhead for generations of blues and rock musicians, as well as a powerful fable for the dark, often violent mysteries of delta blues. Johnson's mythic deal with the Devil, in exchange for his extraordinary musical gifts, has become a fixture in blues lore and an example of the enduring pull of superstitions that can be traced back to Mother Africa and Yoruba deities.

Sarah Michelle Gellar and Ryan Phillippe sizzle as a pair of unscrupulous siblings in a deliciously sexy tale of seduction, revenge and conquest. After cleverly seducing and ruining the reputation of an unsuspecting classmate (Selma Blair) the sparks fly when Kathryn (Gellar) poses the ultimate challenge to her insatiable stepbrother Sebastian (Phillippe): deflower the Headmaster's beautiful, virgin daughter Annette (Reese Witherspoon). If he fails, Kathryn gets his most prized possession, but if he succeeds, Sebastian gets to possess and bed Kathryn.

Too old for Hamlet and too young for Lear--what's an ambitious actor to do? Play the Devil, of course. Jack Nicholson did it in The Witches of Eastwick; Robert De Niro did it in Angel Heart (as Louis Cyphre--get it?). In The Devil's Advocate Al Pacino takes his turn as the great Satan, and clearly relishes his chance to raise hell. He's a New York lawyer, of course, by the name of John Milton, who recruits a hotshot young Florida attorney (Keanu Reeves) to his firm and seduces him with tempting offers of power, sex, and money.

Suffering from a bad case of writer's block, author Jack Manfred (Clive Owen) sits in his London flat, staring at an empty computer screen and trying to find the words to narrate his meandering life. Reluctantly Jack accepts a job from his absentee father (Nicholas Ball) at a second-rate casino as a dealer, or croupier, a job he once held in South Africa. His immersion back into this world is intoxicating, thanks primarily to the power he holds over his nightly clientele.

Four ordinary men in two canoes navigate a river they only know as a line on a map, taking on a wilderness they only think they understand. Deliverance, based on James Dickey's novel, surges with the urgency of masterful storytelling, like Georgia's Chattooga River along which it was shot. Equally masterful is the portrayal of each man's change of character under stress, harrowingly enacted by award winners Jon Voight, Burt Reynolds, Ned Beatty and Ronny Cox.