Daryl Hannah

Next door neighbors John Gustafson and Max Goldman are Grumpy Old Men. And since they're played by Jack Lemmon and Walter Matthau, they're also Funny Old Men. Pairing up again in this hilarious and heartwarming story of neighborhood curmudgeons whose long-running feud becomes an all-out rivalry when an attractive widow (Ann-Margret) moves into the house across the street. Snowy Minnesota provides the setting as Max and John unleash an uproarious blizzard of practical jokes and zingers.

Next door neighbors John Gustafson and Max Goldman are Grumpy Old Men. And since they're played by Jack Lemmon and Walter Matthau, they're also Funny Old Men. Pairing up again in this hilarious and heartwarming story of neighborhood curmudgeons whose long-running feud becomes an all-out rivalry when an attractive widow (Ann-Margret) moves into the house across the street. Snowy Minnesota provides the setting as Max and John unleash an uproarious blizzard of practical jokes and zingers.

Tom Hanks was a relatively unknown TV actor with a sitcom as his biggest credit when relatively unknown director Ron Howard (best known for his own sitcom acting) cast him in this surprise hit. It made stars of Hanks, Daryl Hannah, and John Candy and an A-list director out of Howard. Hannah is a mermaid who comes to Manhattan in search of Hanks, the guy she has twice saved from drowning. Hanks runs a business with his lovable blowhard brother (Candy), whose goal in life is to have a letter published in Penthouse.

After the breezy successes of Grease and The Blue Lagoon, director Randal Kleiser made what can only be described as one of the greatest guilty-pleasure movies of all time. Summer Lovers is a bubble-brained movie if ever there was one, involving a love triangle between characters who have all the depth of a Calvin Klein commercial; but you don't care because the movie's so irresistibly alluring.

Comic genius Steve Martin delivers an incredible performance as an engaging small-town fire chief who has only one tiny flaw - no, make that one HUGE flaw - his astonishingly long nose. Although he considers it no laughing matter, the hilarity never stops as C.D. Bales (Martin) contends with jerky nose jokes, a bumbling crew of firemen and his secret love for gorgeous astronomy student Roxanne (Hannah). Unfortunately, she is attracted to fireman Chris (Rossovich), who's tall on looks and short on conversation. And when C.D.

Chevy Chase and Darryl Hannah star in, and John (Halloween) Carpenter directs a lighthearted adventure: a Wall Street analyst becomes invisible after a lab accident, leading to complications both comic and romantic. Chevy Chase plays a investment banker who gets exposed to fusion energy and becomes invisable. Daryl Hannah plays a TV/film maker who discovers what happened to him, and falls in love with him (the romance is actually honest, and not cliched). There are some good ILM effects work and the ending is not a tragic one - it's a comedy with a bit of heart.

The Bride (Uma Thurman) gets her satisfaction--and so do we--in Quentin Tarantino's "roaring rampage of revenge," Kill Bill, Vol. 2. Where Vol. 1 was a hyper-kinetic tribute to the Asian chop-socky grindhouse flicks that have been thoroughly cross-referenced in Tarantino's film-loving brain, Vol.

Quentin Tarantino's Kill Bill, Vol. 1 is trash for connoisseurs. From his opening gambit (including a "Shaw-Scope" logo and gaudy '70s-vintage "Our Feature Presentation" title card) to his cliffhanger finale (a teasing lead-in to 2004's Vol. 2), Tarantino pays loving tribute to grindhouse cinema, specifically the Hong Kong action flicks and spaghetti Westerns that fill his fervent brain--and this frequently breathtaking movie--with enough cinematic references and cleverly pilfered soundtrack cues to send cinephiles running for their reference books.

When a stressed out ad exec (Moore) proposes a "truth in advertising" scheme, he is promptly shipped off to a mental institution. There he teams up with a kooky blonde (Hannah) and a slew of nutty patients. What happens next is absolutely crazy because the public goes absolutely nuts for the new way of advertising. You'll chortle over the advertising slogans you've always wished Madison Avenue would use!

American auteur Woody Allen explores themes of good and evil in this masterful modern-day morality play. When opthamologist Judah Rosenthal (Oscar-nominated Martin Landau) is threatened with ruin by his mistress if he doesn't marry her, he considers the ultimate solution to his problem: murder. Meanwhile, documentary filmmaker Clifford Stern is faced with an equally heinous moral dilemma: selling out. Allen compares the choices both men make, using a double storyline to brilliantly pair sharp comedy with harrowing drama.