Audio commentary

First screened in Europe and scheduled for limited release in the U.S., The Illusionist offers welcome proof that "arthouse" quality needn't be limited to the arthouses. Set in turn-of-the-century Vienna, this stately, elegant period film benefited from a crossover release in mainstream cinemas, and showed considerable box-office staying power--granted, teenage mallrats and lusty males may have been drawn to the allure of Seventh Heaven alumna Jessica Biel, who rises to the occasion with a fine performance.

Leonardo DiCaprio puts a handsome face on an ugly industry: In parts of Africa, diamond mining fuels civil warfare, killing thousands of innocents and drafting preteen children as vicious soldiers. DiCaprio (The Departed) plays Danny Archer, a white African soldier-turned-diamond-smuggler who gets wind of a large raw jewel found by Solomon Vandy, a native fisherman (Djimon Hounsou, In America) recently escaped from enslavement by a brutal rebel leader. Archer offers a deal: He'll help Vandy find his war-scattered family if Vandy will share the diamond with him.

Here's hoping James Mangold's big, raucous, and ultrabloody remake of 3:10 to Yuma leads some moviegoers to check out Delmer Daves's beautifully lean, half-century-old original. That classic Western spun a tale of captured outlaw Ben Wade (Glenn Ford)--deadly but disarmingly affable--and the small-time rancher and family man, Dan Evans (Van Heflin), desperate enough to accept the job of helping escort the badman to Yuma prison.

In this inspirational costume drama, Michael Apted (49 Up) recounts a period in British history sure to be unfamiliar to most Americans. In fact, his eye-opening biography of 18th century abolitionist William Wilberforce (Ioan Gruffudd) is likely to come as a revelation to many Britons, as well. After all, despite the presence of his wife, Barbara (Romola Garai), this isn't a particularly "sexy" story, but it is a powerful one. The title comes from John Newton's hymn Amazing Grace ("I once was lost but now am found").

Winner of the Palme d'Or at the 2006 Cannes Film Festival, this gripping drama by Ken Loach (Raining Stones) is set during the early days of the Irish Republican Army, when British occupation of the Irish radicalized many a citizen and caused some to take up arms. Cillian Murphy plays Damien, a medical student on his way to London when he witnesses a couple of atrocities committed by British troops. Instead of becoming a doctor, he turns into a leading and respected figure in an IRA division led by his brother, Teddy (Padraic Delaney).

Unwanted pregnancy might sound like a risky subject for slapstick comedy, but Knocked Up is from writer-director Judd Apatow--so we are in the hands of a man who likes to push things. And like Apatow's predecessor, The 40-Year-Old Virgin, Knocked Up is a shaggy crowd-pleaser, a comedy strewn with vulgarity but with a sweet heart at its center. A one-night stand between the utterly mismatched Ben (Seth Rogen, his first starring role) and Alison (Katherine Heigl) results in said pregnancy, and the two people reunite for mutual support--even though they barely know each other.

20,000 Leagues Under the Sea gets a dose of On the Beach in Irwin Allen's visually impressive but scientifically silly Voyage to the Bottom of the Sea. While the Seaview, the world's most advanced experimental submarine, maneuvers under the North Pole, the Van Allen radiation belt catches fire, giving the concept "global warming" an entirely new dimension.

The Day-Glo delights of India's Bollywood musicals collide with the crossed-love conventions of Hollywood romantic comedies in The Guru. Jimi Mistry, a young Indian named Ramu who wants to live the American dream and become famous, moves to New York and finds only menial work in restaurants. But when he mistakenly gets cast in a skin flick, he meets a sweet and thoughtful porn star (Heather Graham) whose philosophical mix of sex and spirituality come in handy when Ramu has to pretend to be a swami for an upper-crust birthday party.

Walt Disney Pictures scored a surprise box-office hit with Invincible, and the movie deserved its good reviews as a fine example of how above-average writing, direction, and casting can turn formulaic material into something special. And make no mistake, this is a formulaic movie, with its real-life story embellished with Rocky-like enthusiasm, and lovingly crafted with the same quality of working-class humanism that made The Rookie a similarly popular Disney hit.

The traditions of old-fashioned melodrama are given a hip facelift in this homage to the Brill Building era (the late 1950s to the early 1970s) of pop-music glory, providing a perfect match between writer-director Allison Anders and her excellent cast. Illeana Douglas plays a singer-songwriter (loosely modeled after Brill recording artist Carole King) whose life runs emotionally parallel to popular music trends. John Turturro is a stand-in for "wall of sound" producer Phil Spector and Matt Dillon is a thinly disguised version of maverick Beach Boy Brian Wilson.