Audio commentary

A solid and entertaining biopic, Walk the Line works less as a movie than an actors' showcase for its stars. Joaquin Phoenix's total immersion into the skin of singer Johnny Cash is startling--watching it, you can't believe this is the same guy who whined about being "vexed" in Gladiator. As he evolves from a farm boy to gospel croonin' plunker to the Man in Black, Phoenix disappears into Cash's deep baritone, his way of slinging the guitar onto his back, and his hunched-up style of strumming.

Snakes on a Plane knows exactly what kind of movie it is, knows exactly what moviegoers expect from a title like Snakes on a Plane, and delivers the exact pleasures of a movie in which poisonous snakes are unleashed on a plane to kill an eyewitness to murder. Samuel L. Jackson (Pulp Fiction, The Long Kiss Goodnight) knows exactly what he's doing in this movie and knows exactly when to pull out the superbad Samuel L. Jackson stare and deliver the infuriated Samuel L. Jackson bellow.

Some comedy is like a scalpel; the Scary Movie series is a hand grenade, spewing bodily fluids and big-breasted women in all directions as they lampoon the latest horror. In Scary Movie 4's case, the main targets are War of the Worlds, The Village, The Grudge, Saw, and Tom Cruise jumping all over Oprah's couch (the scariest of the lot). Along the way, potshots get taken at non-horror fare like Brokeback Mountain and Million Dollar Baby, as well as obvious targets like Michael Jackson and George W. Bush, among others.

Luscious cinematography and even more luscious stars make Tristan & Isolde a feast for the eyes. Adapted from the medieval love story, the movie begins with with young Tristan (played as a child by Thomas Sangster, Love Actually) as he sees his parents killed by the tyrannical Irish, who ruled over a fractured Britain after the Roman occupation.

In the aftermath of the World Trade Center disaster, hope is still alive. Refusing to bow down to terrorism, rescuers and family of the victims press forward. Their mission of rescue and recovery is driven by the faith that under each piece of rubble, a co-worker, a friend a family member may be found. This is the true story of John McLoughlin and William J. Jimeno, two of the last survivors extracted from Ground Zero and the rescuers who never gave up.

The exotic sounds, vibrant colors, and ecstatic dancing of Bollywood collide with the cunning storytelling of Jane Austen in Bride & Prejudice (from the writer/director of previous East/West hybrid Bend It Like Beckham). When smart, outspoken Lalita Bakshi (Indian beauty Aishwarya Rai) meets Will Darcy (Martin Henderson, The Ring), she finds this American businessman arrogant and conceited--but because his best friend is falling in love with her sister, Lalita agrees to travel around India with Darcy.

A movie that exudes affection and goodwill, The World's Fastest Indian is an unabashed mash note to a lovely character from New Zealand's recent past. Burt Munro, played by Anthony Hopkins, is a cantankerous Kiwi with an obsession: he's been tinkering with his 1920s-era Indian brand motorcycle for years, pushing it to ever-faster speeds. It's the 1960s, and Burt has the utterly mad idea of taking the bike to the Bonneville Salt Flats in Utah, site of world records for speed racing.

Director Francis Ford Coppola and executive producer George Lucas shared a strong desire to film the story of Preston Tucker, the man who revolutionized car design in the late 1940s, only to have his innovation squelched by the "big three" automakers in a legal battle between Tucker and powerful political lobbies. Coppola surely related to and sympathized with Tucker as a visionary underdog, and so this stylish, energetic film envisions "the man and his dream" in idealistic terms--an unabashed optimist (played by Jeff Bridges) who realizes his vision through blind faith and tenacity.

After dominating the teen-movie genre for the bulk of the 1980s, writer-producer (and sometimes director) John Hughes proved that he had at least one good movie left in him before squandering his talent on lame comedies throughout the 1990s. Like The Breakfast Club and Pretty in Pink, Some Kind of Wonderful treated its teenaged characters like real people with real feelings, hopes, fears, and desire.

It's not Blazing Saddles, but there are some chuckles to be found in Mel Brooks's 1993 spoof of the Robin Hood legend. Cary Elwes is Robin (with a lighthearted jab at Kevin Costner's bad English accent in Robin Hood: Prince of Thieves), while Richard Lewis plays an angst-ridden King John, and Roger Rees a snotty Sheriff of Nottingham. Comic David Chappelle has some good moments as the only black member of Robins's noble thieves, and Brooks does his own spin on Friar Tuck: Rabbi Tuchman.