Akira Kurosawa's brilliantly conceived retelling of King Lear combines Japanese history and Shakespeare's plot with the director's own feelings about loyalty and betrayal. In 16th century Japan, the aging Lord Hidetora (Tatsuya Nakadai) passes the decree that his land be divided among his three children. Blinded by the false flattery of his two older songs, he banishes his younger son for speaking the truth. The remaining heirs, driven by power and greed, wage war upon each other.
The Warrior combines gorgeous cinematography, complex historical politics, and joltingly bloody action sequences to create a sweeping historical spectacular. A squadron of Korean soldiers, sent to protect a diplomatic envoy to China, find themselves unmoored when the envoys are killed in clashes with Chinese and Mongol soldiers. Struggling to return home, they rescue a high-handed Chinese princess (Ziyi Zhang, House of Flying Daggers, Crouching Tiger, Hidden Dragon) and decide that protecting her is their best chance to survive, and possibly improve Korean-Chinese relations as well.
The saga of Tom Horn - a real-life "enforcer" of Old West days - held a particular fascination for another legend. Hollywood icon Steve McQueen starred in and executive-produced what would be his next-to-last movie, a gritty, exciting recreation of Horn's latter-day career in a turn-of-the-century West where gentler ways supplanted the law of the gun - and Horn would be an unwitting victim of that change. Linda Evans, Richard Farnsworth, Billy Green Bush and Slim Pickens head a strong cast in a film capturing the essence of a time when a man's word was only as good as his guns or fists.
The teaming of Johnny Knoxville (Jackass: The Movie) and Seann William Scott (Dude, Where's My Car?) as well as the presence of the '70s-flavored car chases that were a specialty of the TV series guarantees that The Dukes of Hazzard will be even more lowbrow than the CBS TV series (1979-85) that inspired it.
You wouldn't think a movie could look like a Vermeer painting, but Girl with a Pearl Earring is filmed with an amazing range of luminous glows that evoke the Dutch artist's masterworks. Of course, it helps that much of the movie centers on Scarlett Johansson (Lost in Translation, Ghost World), whose creamy skin and full lips have a luminosity of their own. Johansson plays Griet, a maid in the household of Johannes Vermeer (Colin Firth, Bridget Jones' Diary, Fever Pitch), who finds herself in a web of jealousy, artistic inspiration, and social machinations.
Movie studios, by and large, avoid controversial subjects like race the way you might avoid a hive of angry bees. So it's remarkable that Crash even got made; that it's a rich, intelligent, and moving exploration of the interlocking lives of a dozen Los Angeles residents--black, white, latino, Asian, and Persian--is downright amazing.
It's fast, funny, outrageously illegal - and the granddaddy of the cross-country speed spectacles that have raced across movie screens in the past two generations. Put your pedal to the metal for The Gumball Rally. New York City is the starting point and this supersonic contest ends 2,900 miles later in Los Angeles. In between, director Chuck Bail (coordinator of many classic movie stunt sequences) and a crew of actors and stuntpersons treat you to a truly breakneck road comedy. Gary Busey plays a daredevil in a 600-horsepower Camaro.
If you don't mind a heavy dose of schmaltz and sentiment, this romantic comedy has a gentle way of seducing you with its charms. While You Were Sleeping was the first starring role for Sandra Bullock after her blockbuster success in Speed. In a role that nicely emphasizes her easygoing appeal, Bullock is the reason the movie works at all. She plays Lucy Eleanor Moderatz, a Chicago Transit tollbooth clerk who's hopelessly smitten with a daily commuter, Peter Callaghan (Peter Gallagher).
With Infernal Affairs, Hong Kong filmmakers Wai Keung Lau and Siu Fai Mak have successfully taken a smart script and a great cast, added some stylistic cinematography, and dual-fistedly given a new twist to a formulaic genre. Lau Kin Ming (Andy Lau), a young, loyal gangster, is ordered by his Triad boss Sam (Eric Tsang) to join the police force. While on the inside the young mole can keep a close eye on police activity, ensuring the gang's activities will not be interrupted. Police Superintendent Wong (Anthony Wong Chau-Sang) has a similar plan.
The beauty of the South American landscape and of Gael Garcia Bernal (Y Tu Mama Tambien, Bad Education) gives The Motorcycle Diaries a charisma that is decidedly apolitical. But this portrait of the young Che Guevara (later to become a militant revolutionary) is half buddy-movie, half social commentary--and while that may seem an unholy hybrid, under the guidance of Brazillian director Walter Salles (Central Station) the movie is quietly passionate.
