The star of Caddyshack, Ghostbusters and Groundhog Day headlines and co-directs this uproarious Big Apple heist-and-pursuit caper. Bill Murray plays Grimm, a frazzled urbanite who disguises himself as a clown - and sets out to rob a bank. Geena Davis and Randy Quaid play accomplices in Grimm's daring scheme and Jason Robards is the blustery cop caught up in Grimm's "Clown Day Afternoon." Swiping a million bucks is a snap compared to getting out of town.
The lethal business of arms dealers provides an electrifying context for the black-as-coal humor of Andrew Niccol's Lord of War. Having proven his ingenuity as the writer of The Truman Show, and writer-director of Gattaca and the under-appreciated Simone, Niccol is clearly striving for Strangelovian relevance here as he chronicles the rise and inevitable fall of Yuri Orlov (Nicolas Cage), a Ukrainian immigrant to America who makes his fortune selling every kind of ordnance he can get his amoral hands on.
Based on a novel by James Michener, Sayonara earned a fistful of OscarÆ nominations (including Best Picture, Director, and Actor) in 1957 and wound up winning statuettes for supporting actors Red Buttons and Miyoshi Umeki. Marlon Brando plays a Korean War fighter pilot, the son of a general, reassigned to Japan, where fraternization with local women is taboo. After breaking off his engagement to another general's daughter, he finds himself falling for a Japanese entertainer (Miiko Taka), then struggling with his own bias.
Their licenses suspended, their vehicles impounded, a hapless band of misfits, malcontents and dreamers meet in traffic school. As it turns out, this isn't your ordinary run of the mill traffic school. The crew find themselves in the clutches of two over zealous police officers lead by the Judge to running the school so that the students are forever without licenses and cars. What ensues is a side splitting, tire screeching battle of wits. Who will be king of the road?
In The Life Aquatic with Steve Zissou, director Wes Anderson takes his familiar stable of actors on a field trip to a fantasy aquarium, complete with stop-motion, candy-striped crabs and rainbow seahorses. And though Anderson does expand his horizons in terms of retro-special effects and a whimsical use of color, fans will otherwise find themselves in well-charted waters.
Although it was unfortunately ignored during its brief theatrical release, this sumptuously seductive production is that rarest of cinematic breeds, the (barely) respectable guilty pleasure. Combining historical fact with hysterical anachronisms of language and mannerism, it's been tailored for maximum contemporary appeal but maintains a lush, romantic feel for its factual 16th-century tale of Venetian love, lust, and political repression.
Based on the true story of Domino Harvey (Keira Knightley), daughter of film actor Laurence Harvey. Tired and unsuited to the pretentiousness of her high-society LA life, Domino leaves the glittarti behind and sets off to become a bounty hunter. She quickly falls under the wing of veteran hunter Ed Mosley (Mickey Rourke) and his crew and becomes an unlikely natural in the art of bounty hunting.
Taut and gripping, U-571 follows the exploits of a fictional team of World War II U.S. submariners who undertake a secret mission to capture a German Enigma machine to decode German documents. Writer-director Jonathan Mostow (Breakdown) tells an intense, economical tale, reminiscent of the best classic war films, while infusing it with modern sentiments. Spring 1942: A crew of young submarine sailors are on a much-needed 48-hour liberty when they're suddenly called together and engaged in an expedition.
If you're going to submit yourself to a dazzling example of mainstream action, this thriller is as good a choice as any. Eraser is a live-action cartoon, the kind of movie in which Arnold Schwarzenegger can survive nail bombs, hails of bullets, an attack by voracious alligators ("You're luggage," he says, after killing one of the beasts), and still emerge from the mayhem relatively intact. Arnold plays an "eraser" from the Federal Witness Protection Program, so named because he can virtually erase the existence of anyone he's been assigned to protect.
The two-disc edition of Sin City easily makes the earlier single-disc theatrical-cut release obsolete by including the regular theatrical cut on the first disc, recutting the movie into four extended segments on the second disc (separated by story line), then piling on an impressive load of bonus features. But there's a catch.
