Trailers/TV spots

I have a bad feeling about this, says the young Obi-Wan Kenobi (played by Ewan McGregor) in Star Wars: Episode I, The Phantom Menace as he steps off a spaceship and into the most anticipated cinematic event... well, ever. He might as well be speaking for the legions of fans of the original episodes in the Star Wars saga who can't help but secretly ask themselves: Sure, this is Star Wars, but is it my Star Wars? The original elevated moviegoers' expectations so high that it would have been impossible for any subsequent film to meet them.

When Julie Andrews sang "The hills are alive with the sound of music" from an Austrian mountaintop in 1965, the most beloved movie musical was born. To be sure, the adaptation of Richard Rodgers and Oscar Hammerstein II's Broadway hit has never been as universally acclaimed as, say, Singin' in the Rain. Critics argue that the songs are saccharine (even the songwriters regretted the line "To sing through the night like a lark who is learning to pray") and that the characters and plot lack the complexity that could make them more interesting.

A shipping disaster in the 19th Century has stranded a man and woman in the wilds of Africa. The lady is pregnant, and gives birth to a son in their tree house. Soon after, a family of apes stumble across the house and in the ensuing panic, both parents are killed. A female ape takes the tiny boy as a replacement for her own dead infant, and raises him as her son. Twenty years later, Captaine Phillippe D'Arnot discovers the man who thinks he is an ape.

Of all the actresses playing opposite the screen's many Tarzans, perhaps the most famously erotic was Bo Derek. The star who was a 10 with Dudley Moore rates several tree notches higher in the reckoning of the Ape Man. He defends her against a beachcombing King of the Beasts, untangles her from a python's squeeze and takes on kidnapping primitives who have covered her with white body paint. The Englishwoman who comes to West Africa to find her father (Richard Harris) obviously finds more and l'amour.

Based on the Joseph Conrad story "Amy Foster," this swirlingly romantic melodrama tells the story of a Polish sailor (Vincent Perez) shipwrecked and washed ashore on the English coast in the 19th century. Found by a servant girl, Amy (Rachel Weisz), who is a village outcast, he is considered retarded because no one can understand what he says. But slowly, through Amy's love and the doctor's tutelage, the sailor learns enough English to decide he wants to make an honest woman out of Amy. Which doesn't sit well with the disapproving villagers, who don't like Amy.

In what may be the angriest portrait of Cuba ever made, director Leon Ichaso (Crossover Dreams) charts the journey of one young man from patriot to disillusioned dropout to angry rebel. Gustavo (RenÈ Lavan) is an idealistic young Marxist scholar who dreams of attending the University of Prague. When he falls for an earthy dancer with a more pragmatic view of her homeland, who plans to escape to Florida, his ideals are systematically chipped away in the face of poverty, repression, corruption, and police brutality until it all becomes too much for him to bear.

Gene Wilder takes his most unusual role, a naive 19th-century rabbi sent from his native Poland to the fledgling Jewish community in San Francisco, in this warm-hearted comic adventure. The trusting soul is easy prey for the con men and criminals who prey on the immigrants arriving in the Philadelphia port and the rabbi, beaten but unbowed, continues his trek West solo: broke, underequipped, and hopelessly lost.

The late "Pistol" Pete Maravich made basketball history as the most spectacular college scorer ever, and he's still inspiring kids through this movie based on his first season of high school varsity basketball (which he played when he was in eighth grade). This 90-minute film explores the supportive father-son relationship that pushed him to the heights of achievement and fame (Dad was a former pro and Clemson University coach) and includes a story line on the stirrings of the quest for racial equality in the late 1950s.

The dominant themes of director Sidney Lumet's distinguished career are in full force in this moral melodrama involving a young district attorney (Andy Garcia) who takes on a career-making case only to uncover his father's possible involvement in pervasive police corruption. Balancing personal ethics and political compromise in a high-wire act of power and its abuse, Lumet relies on dialogue and superb performances (including those by Ron Leibman, Richard Dreyfuss, and Lena Olin) to achieve a devastating impact.

The unflinching realism and searing performances of Monster's Ball are stunning in all the connotations of the word. Hank (Billy Bob Thornton) and Leticia (Halle Berry) inhabit stark, queasy realities of the contemporary South, he as a death row corrections officer and she as the soon-to-be widow of an inmate (Sean Combs) whose execution Hank helps conduct. In the aftermath of the execution, both lose their children to tragic deaths and they form an unlikely bond.