Trailers/TV spots

Without force-feeding its timely message, Good Night, and Good Luck illuminates history to enlighten our present, when the need for a free and independent press is more important than ever. In 90 breathtaking minutes of efficient and intricate storytelling, writer-director George Clooney and cowriter Grant Heslov pay honorable tribute to the journalistic integrity of legendary CBS newscaster Edward R. Murrow, Director George Clooney who confronted the virulent and overzealous anti-Communist witch-hunting of Wisconsin Sen.

Barry Levinson (Wag the Dog) directed this comedy-drama about an Armed Forces Radio disc jockey (Robin Williams) whose manic, hilarious delivery from a studio in 1965 Saigon gives U.S. troops in the field a morale boost (while upsetting military brass). Based on the real-life experiences of deejay Adrian Cronauer, the film is actually more concept than story: put Williams in front of a microphone and let him go nuts.

Like the animated series itís based on, Aeon Flux is the kind of sci-fi thatís best appreciated by the MTV generation. Itís a serious attempt at stylized, futuristic action/adventure (the title character, played by Charlize Theron, is essentially a female James Bond for the cyberpunk era) and taken for what it is, itís not all that bad. The action takes place in the year 2415, four centuries after a virus nearly decimated the human race, leaving only five million survivors in a utopian city called Bregna.

The thinking person's Forrest Gump, Woody Allen's 1983 Zelig is a funny, atmospheric mock-documentary about the collision of one man's manifest neuroses colliding with key moments in 20th-century history. Allen plays the title character, a self-effacing, timorous fellow with such a porous personality that he physically becomes a reflection of whoever he is with.

In what may be the angriest portrait of Cuba ever made, director Leon Ichaso (Crossover Dreams) charts the journey of one young man from patriot to disillusioned dropout to angry rebel. Gustavo (RenÈ Lavan) is an idealistic young Marxist scholar who dreams of attending the University of Prague. When he falls for an earthy dancer with a more pragmatic view of her homeland, who plans to escape to Florida, his ideals are systematically chipped away in the face of poverty, repression, corruption, and police brutality until it all becomes too much for him to bear.

Bolero, directed by Bo Derek's husband John, comes billed as "a masterpiece of erotic adventure". Upon graduating from school in Britain, the wealthy Ayre "Mac" McGillvary (Bo Derek) hungers for more education in the art of love! Journeying to Morocco, she meets a handsome sheik, but alas, he falls asleep while seducing her. A hot-blooded matador in Spain does not disappoint, however. Unlocking her deepest desires, her world-class lover gives her a lesson in ecstasy she'll never forget.

In his direction of The Hurricane, veteran filmmaker Norman Jewison understands that slavish loyalty to factual detail is no guarantee of compelling screen biography. In telling the story of boxer Rubin "Hurricane" Carter--who was wrongly convicted of murder in 1967 and spent nearly two decades in jail--Jewison and his screenwriters compress time, combine characters, and rearrange events with a nonchalance that would be galling if they didn't remain honest to the core truth of Carter's ordeal.

It's hard to believe Ridley Scott's handsome epic won't become the cinematic touchstone of the Crusades for years to come. Kingdom of Heaven is greater than the sum of its parts, delivering a vital, mostly engrossing tale following Balian (Orlando Bloom), a lonely French blacksmith who discovers he's a noble heir and takes his father's (Liam Neeson) place in the center of the universe circa 1184: Jerusalem. Here, grand battles and backdoor politics are key as Scott and first-time screenwriter William Monahan fashion an excellent storyline to tackle the centuries-long conflict.

In The Life Aquatic with Steve Zissou, director Wes Anderson takes his familiar stable of actors on a field trip to a fantasy aquarium, complete with stop-motion, candy-striped crabs and rainbow seahorses. And though Anderson does expand his horizons in terms of retro-special effects and a whimsical use of color, fans will otherwise find themselves in well-charted waters.

The two-disc edition of Sin City easily makes the earlier single-disc theatrical-cut release obsolete by including the regular theatrical cut on the first disc, recutting the movie into four extended segments on the second disc (separated by story line), then piling on an impressive load of bonus features. But there's a catch.