Trailers/TV spots

One of the great plots in horror film history, and one that has been repeated many times. Colin Clive plays the brilliant concert pianist Stephen Orlac, whose hands are crushed in a train accident. His wife, Yvonne, is a noted stage actress whose ardent admirer is Dr. Gogol (Peter Lorre). Although she rejected Gogol previously, she is forced to seek his help in restoring her husband's hands. Gogol replaces Orlac's hands with those of executed knife thrower Rollo, and the fun begins. Clive is his usual tortured, neurotic self and Lorre is brilliant as the oily monomaniacal Gogol.

Mark Of The Vampire is Tod Browning's remake of his "London After Midnight" with Bela Lugosi as the vampire, Count Mora, and Lionel Atwill as Inspector Newman. In the original, both roles were played by Lon Chaney. The plot concerns the death of Sir Karell Borotyn, who appears to have been killed by vampire Count Mora. Fearing that the vampire's next victim will be Borotyn's daughter, Irena (Elizabeth Allan), vampire expert Professor Zelen (Lionel Barrymore) is called I to protect her and shed some light on the goings-on.

The famous Humphrey Bogart punishment picture! After years of complaining about his one-dimensional gangster roles, it was said that Jack Warner decided to teach Bogie a lesson and put him in the role of a vampiric lab assistant who needs freshly drained blood in order to stay alive. Bogart is a hoot in pasty-faced white makeup and a grey streak through his hair. Wayne Morris play the wise-cracking reporter who exposes Bogie as the killer. (Tough job considering the makeup). Look for Olin Howard (Jensen the drunk in Them! and the Blob's first victim) as the undertaker.

Director Paul Mayeda Berges adapts author Chitra Banerjee Divakaruni magic realist tale about an enchanting Indian orphan who has leaned to harness the magical properties of spices. Orphaned by regional strife in her homeland of India, Tilo (Aishwarya Rai) is subsequently kidnapped by a vicious gang of bandits. A daring escape is quick to follow, and soon after washing up on mysterious shores the traumatized girl is sheltered by a benevolent old woman (Zohra Segal) who reveals to her the remarkable powers of common spices.

The Promise came to American shores with endless hype about its visual splendor--and for once, the hype is deserved. Lush and luminous, almost every shot will make you want to weep from its sheer loveliness. A starving young orphan girl named Qingcheng is offered a deal by a capricious goddess: The girl will be staggeringly beautiful and have all the wealth, delicious food, and fabulous clothing she could ask for--but every man she ever loves will die.

Mira Nair, the Indian director, scored an international art-house hit with her feature debut, Salaam Bombay!, a tale of life in the streets of seething urban India. Her next film was a surprising turnabout: Mississippi Masala is a cultural study and a love story set in the rural American south. The love story comes courtesy of Denzel Washington, as a rug cleaner, and Sarita Choudhury (from Nair's Kama Sutra), as the daughter of Indian immigrants running a small-time motel; both give fresh, charming performances.

Eric Roberts, young, charming, and handsome, does a rare comic turn as an American Coca-Cola executive with a honeyed Georgia drawl sent Down Under in this congenial little Australian comedy. As the zealous, unfailingly polite eccentric declares economic war on a veritable back-country feudal lord who runs his own steam-powered soda plant (Bill Kerr), Robertsís enchantingly goofy secretary (Greta Scacchi) plots a campaign of seduction that includes a Santa suit that explodes in an orgiastic blizzard of feathers.

Big Night is an intimate look at the immigrant struggle to attain the American Dream, set in New Jersey in the 1950s. Tucci wrote Big Night with his cousin Joseph Tropiano, and they based the story on the experience of growing up in a large, proud Italian family. The brothers in Big Night--chef Primo (Tony Shalhoub) and businessman Secondo (Tucci)--have come to New Jersey to open a bistro named The Paradise that serves the finest in traditional, authentic Italian cuisine.

Light and charming, Scoop blends murder, ghosts, and falling in love. While inside of a magician's magic cabinet, aspiring journalist Sondra Pransky (Scarlett Johansson, Lost in Translation) is visiting by the ghost of a dead reporter (Ian McShane, Deadwood) who has gotten a hot tip in the afterlife: A rising young politician named Peter Lyman (Hugh Jackman, X-Men) may be the notorious serial killer who leaves tarot cards by his victims.

Striking images abound in the twisty, surreal thriller Stay: Walruses rubbing up against the glass in an aquarium; a corridor painted neon green; entire crowds composed of twins and triplets; a piano being lifted several stories in the air. The plot is impossible to encapsulate: A psychiatrist named Sam (Ewan McGregor, Trainspotting) takes on a colleague's patient, Henry (Ryan Gosling, The Notebook), who announces his intention to kill himself.