Trailers/TV spots

One Hour Photo may be more civilized than Taxi Driver, but it's just as effectively creepy. Like Martin Scorsese's classic, this riveting character study is so compassionately detailed that we sympathize with poor Sy Parrish (Robin Williams) even as he grows increasingly unhinged. Sy is a meticulously dedicated one-hour-photo technician, but the pictures he processes--particularly those belonging to the successful, seemingly happy family of Nina and Will Yorkin (Connie Nielsen, Michael Vartan)--turn into the unhealthiest kind of obsession.

Martin Scorsese makes a welcome return to the mean streets (of Boston, in this case) with The Departed, hailed by many as Scorsese's best film since Casino.

Bend It Like Beckham is true girl power. This glorious comedy centers on Jess (Parminder Nagra), an Indian girl born in England whose only desire is to become a football--or, as we say on this side of the Atlantic, soccer--star like her idol, David Beckham; but her traditional family refuses to even consider it. With the help of her new friend Juliet (Keira Knightley), Jess secretly joins a girls' team under the guidance of a male coach (Jonathan Rhys Meyers). As the team starts to gain some attention, Jess's secret can't be kept forever.

Snakes on a Plane knows exactly what kind of movie it is, knows exactly what moviegoers expect from a title like Snakes on a Plane, and delivers the exact pleasures of a movie in which poisonous snakes are unleashed on a plane to kill an eyewitness to murder. Samuel L. Jackson (Pulp Fiction, The Long Kiss Goodnight) knows exactly what he's doing in this movie and knows exactly when to pull out the superbad Samuel L. Jackson stare and deliver the infuriated Samuel L. Jackson bellow.

This story opens in 1938 in Rome, where Marcello has just taken a job working for Mussollini and is courting a beautiful young woman who will make him even more of a conformist. Marcello is going to Paris on his honeymoon and his bosses have an assignment for him there. Look up an old professor who fled Italy when the fascists came into power. At the border of Italy and France, where Marcello and his bride have to change trains, his bosses give him a gun with a silencer. In a flashback to 1917, we learn why sex and violence are linked in Marcello's mind.

This rousing, explosive 1961 WWII adventure, based on Alistair MacLean's thrilling novel, turns the war thriller into a deadly caper film. Gregory Peck heads a star-studded cast charged with a near impossible mission: destroy a pair of German guns nestled in a protective cave on the strategic Mediterranean island of Navarone, from where they can control a vital sea passage.

From the producer of Independence Day and The Patriot, and starring James Franco, Flyboys soars to new cinematic heights with spectacular special effects and thrilling, edge-of-your-seat aerial dogfights. Inspired by the true story of the legendary Lafayette Escadrille, this action-packed epic tells the tale of America's first fighter pilots. These courageous young men distinguish themselves in a manner that none before them had dared, becoming true heroes who experience triumph, tragedy, love, and loss amid the chaos of World War I. Hang on for the ride of your life!

A solid and entertaining biopic, Walk the Line works less as a movie than an actors' showcase for its stars. Joaquin Phoenix's total immersion into the skin of singer Johnny Cash is startling--watching it, you can't believe this is the same guy who whined about being "vexed" in Gladiator. As he evolves from a farm boy to gospel croonin' plunker to the Man in Black, Phoenix disappears into Cash's deep baritone, his way of slinging the guitar onto his back, and his hunched-up style of strumming.

Thematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic.

Luscious cinematography and even more luscious stars make Tristan & Isolde a feast for the eyes. Adapted from the medieval love story, the movie begins with with young Tristan (played as a child by Thomas Sangster, Love Actually) as he sees his parents killed by the tyrannical Irish, who ruled over a fractured Britain after the Roman occupation.