Trailers/TV spots

One Hour Photo may be more civilized than Taxi Driver, but it's just as effectively creepy. Like Martin Scorsese's classic, this riveting character study is so compassionately detailed that we sympathize with poor Sy Parrish (Robin Williams) even as he grows increasingly unhinged. Sy is a meticulously dedicated one-hour-photo technician, but the pictures he processes--particularly those belonging to the successful, seemingly happy family of Nina and Will Yorkin (Connie Nielsen, Michael Vartan)--turn into the unhealthiest kind of obsession.

Eric Roberts, young, charming, and handsome, does a rare comic turn as an American Coca-Cola executive with a honeyed Georgia drawl sent Down Under in this congenial little Australian comedy. As the zealous, unfailingly polite eccentric declares economic war on a veritable back-country feudal lord who runs his own steam-powered soda plant (Bill Kerr), Robertsís enchantingly goofy secretary (Greta Scacchi) plots a campaign of seduction that includes a Santa suit that explodes in an orgiastic blizzard of feathers.

I Have Found It (Kandukondain Kandukondain) transplants Jane Austen's Sense And Sensibility into an irresistibly musical, infectiously funny and sweetly romantic widescreen wonder world that could only by found in a Bollywood film. An eye-popping riot of brilliant color, show-stopping musical numbers, spectacular global locations and exuberant performances, I Have Found It represents a gigantic leap forward for Southern Indian "Kollywood" movies - the Tamil-speaking cousin of Bollywood Hindi language film.

Mira Nair, the Indian director, scored an international art-house hit with her feature debut, Salaam Bombay!, a tale of life in the streets of seething urban India. Her next film was a surprising turnabout: Mississippi Masala is a cultural study and a love story set in the rural American south. The love story comes courtesy of Denzel Washington, as a rug cleaner, and Sarita Choudhury (from Nair's Kama Sutra), as the daughter of Indian immigrants running a small-time motel; both give fresh, charming performances.

Denzel Washington and the director Carl Franklin, who worked together on the sultry "Devil in a Blue Dress," team up again in a thriller about a Florida police chief who must solve a double homicide that he's been unjustly accused of committing. It's a standard crime movie that rises above its conventional twists and turns thanks to the taut, intelligent direction of Franklin and the strong performances by supporting players (Eva Mendes and Nora Dunn, among others) who would all be at home in an Elmore Leonard novel.

Having developed his skill as a master of contemporary crime drama, writer-director Michael Mann displayed every aspect of that mastery in this intelligent, character-driven thriller from 1995, which also marked the first onscreen pairing of Robert De Niro and Al Pacino. The two great actors had played father and son in the separate time periods of The Godfather, Part II, but this was the first film in which the pair appeared together, and although their only scene together is brief, it's the riveting fulcrum of this high-tech cops-and-robbers scenario.

One of the greatest screen biographies ever produced, this monumental film runs nearly three hours, won seven Academy Awards, and gave George C. Scott the greatest role of his career. It was released in 1970 when protest against the Vietnam War still raged at home and abroad, and many critics and moviegoers struggled to reconcile current events with the movie's glorification of Gen. George S. Patton as a crazy-brave genius of World War II. How could a movie so huge in scope and so fascinated by its subject be considered an anti-war film?

Fully recovering from the wretched flop Timeline, director Richard Donner brings seasoned skill to 16 Blocks, a satisfying thriller boosted by intelligent plotting and the stellar pairing of Bruce Willis and Mos Def in quirky, well-written roles. Making the most of minimal dialogue, Willis plays Jack Mosley, a boozy, disillusioned New York City detective who reluctantly accepts an assignment to transport squeaky-voiced chatterbox Eddie Bunker (Mos Def) to a grand jury hearing where he's scheduled to testify against a group of corrupt, drug-dealing cops.

Emma Thompson scores a double bull's-eye with this marvelous adaptation of Jane Austen's novel. Not only does Thompson turn in a strong (and gently humorous) performance as one of the Dashwood sisters--the one with "sense"--she also wrote the witty, wise screenplay. Austen's tale of 19th-century manners and morals provides a large cast with a feast of possibilities, notably Kate Winslet, in her pre-Titanic flowering, as Thompson's deeply romantic sister.

A shipping disaster in the 19th Century has stranded a man and woman in the wilds of Africa. The lady is pregnant, and gives birth to a son in their tree house. Soon after, a family of apes stumble across the house and in the ensuing panic, both parents are killed. A female ape takes the tiny boy as a replacement for her own dead infant, and raises him as her son. Twenty years later, Captaine Phillippe D'Arnot discovers the man who thinks he is an ape.