Trailers/TV spots

One of the greatest screen biographies ever produced, this monumental film runs nearly three hours, won seven Academy Awards, and gave George C. Scott the greatest role of his career. It was released in 1970 when protest against the Vietnam War still raged at home and abroad, and many critics and moviegoers struggled to reconcile current events with the movie's glorification of Gen. George S. Patton as a crazy-brave genius of World War II. How could a movie so huge in scope and so fascinated by its subject be considered an anti-war film?

Fully recovering from the wretched flop Timeline, director Richard Donner brings seasoned skill to 16 Blocks, a satisfying thriller boosted by intelligent plotting and the stellar pairing of Bruce Willis and Mos Def in quirky, well-written roles. Making the most of minimal dialogue, Willis plays Jack Mosley, a boozy, disillusioned New York City detective who reluctantly accepts an assignment to transport squeaky-voiced chatterbox Eddie Bunker (Mos Def) to a grand jury hearing where he's scheduled to testify against a group of corrupt, drug-dealing cops.

"Remember, remember the fifth of November," for on this day, in 2020, the minds of the masses shall be set free. So says code-name V (Hugo Weaving), a man on a mission to shake society out of its blank complacent stares in the film V for Vendetta. His tactics, however, are a bit revolutionary, to say the least.

Pierce Brosnan gives one of his finest performances in The Matador, a low-key buddy comedy with an agreeably sinister twist. Light-years from his former James Bond image, Brosnan is unshaven, unnerved and unpredictable as freelance assassin Julian Noble, who encounters desperate businessman Danny Wright (Greg Kinnear) in the bar of a modern Mexico City hotel. Danny is intrigued when Julian reveals that he's a "facilitator of fatalities," and his wife "Bean" (Hope Davis) is equally fascinated when Julian shows up unexpectedly, six months later, at Danny's home in Denver.

Released amidst rumors of romance between costars Angelina Jolie and soon-to-be-divorced Brad Pitt, Mr. and Mrs. Smith offers automatic weapons and high explosives as the cure for marital boredom. The premise of this exhausting action-comedy (no relation to the 1941 Alfred Hitchcock comedy starring Carole Lombard and Robert Montgomery) is that the unhappily married Smiths (Pitt and Jolie) will improve their relationship once they discover their mutually-hidden identities as world-class assassins, but things get complicated when their secret-agency bosses order them to rub each other out.

The legend of Pocahontas and John Smith receives a luminous and essential retelling by maverick filmmaker Terrence Malick. The facts of Virginia's first white settlers, circa 1607, have been told for eons and fortified by Disney's animated films: explorer Smith (Colin Farrell) and the Native American princess (newcomer Q'orianka Kilcher) bond when the two cultures meet, a flashpoint of curiosity and war lapping interchangeably at the shores of the new continent.

Bolero, directed by Bo Derek's husband John, comes billed as "a masterpiece of erotic adventure". Upon graduating from school in Britain, the wealthy Ayre "Mac" McGillvary (Bo Derek) hungers for more education in the art of love! Journeying to Morocco, she meets a handsome sheik, but alas, he falls asleep while seducing her. A hot-blooded matador in Spain does not disappoint, however. Unlocking her deepest desires, her world-class lover gives her a lesson in ecstasy she'll never forget.

The thinking person's Forrest Gump, Woody Allen's 1983 Zelig is a funny, atmospheric mock-documentary about the collision of one man's manifest neuroses colliding with key moments in 20th-century history. Allen plays the title character, a self-effacing, timorous fellow with such a porous personality that he physically becomes a reflection of whoever he is with.

Barry Levinson (Wag the Dog) directed this comedy-drama about an Armed Forces Radio disc jockey (Robin Williams) whose manic, hilarious delivery from a studio in 1965 Saigon gives U.S. troops in the field a morale boost (while upsetting military brass). Based on the real-life experiences of deejay Adrian Cronauer, the film is actually more concept than story: put Williams in front of a microphone and let him go nuts.

Like the animated series itís based on, Aeon Flux is the kind of sci-fi thatís best appreciated by the MTV generation. Itís a serious attempt at stylized, futuristic action/adventure (the title character, played by Charlize Theron, is essentially a female James Bond for the cyberpunk era) and taken for what it is, itís not all that bad. The action takes place in the year 2415, four centuries after a virus nearly decimated the human race, leaving only five million survivors in a utopian city called Bregna.